Graphic Novel 'Big Black' Is a Stunning Depiction of the Attica Prison Uprising

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Striking for Its Art, 'New World' Is a Magic Parable of Resistance, Guilt, and Forgiveness

David Jesus Vignolli's graphic novel, New World, chronicles Indigenous resistance to European monsters in gorgeous art and mythic undertones.

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For All Governments: Gendry-Kim's Graphic Novel, 'Grass'

The powerful graphic novel Grass documents the atrocities against WWII "comfort women" through the recollections of a survivor. This is an incredibly powerful and urgent work that, frankly, should be read by the governments of all nations that must face, admit to, and begin real reparations for their country's atrocities.

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Tsuge's 'The Man Without Talent' Is a Perfect Manga Parable on Capitalism's Failed Dreams

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Jaime Hernandez conveys an exuberance and vitality in his characters that make them easy to relate to and sympathize with. This is no less so in his latest graphic novel, Tonta.

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Size Matters in Eleanor Davis's 'The Hard Tomorrow'

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Compelling Grotesquery in Graphic Novel 'Vivisectionary'

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Box Brown Takes on the Ultimate Weed Killer in 'Cannabis'

As cannabis legalization spreads, Box Brown's graphic novel, Cannabis, examines the sordid and racist history of how it became demonized in the first place.

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Trapped by Circumstance: 'Guantánamo Kid: The True Story of Mohammed El-Gharani'

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'Blame This on the Boogie' Blurs the Lines between Graphic Novel and Songbook

Passion defines Rina Ayuyang's life as Blame This on the Boogie explores the pleasures and pitfalls of pop culture devotion.

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Manuele Fior's 'Red Ultramarine' Evokes Picasso -- to a Point

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Existential loneliness and small comforts are perfectly conveyed in three simple colors in Michael Cho's graphic novel, Shoplifter.

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Graphic Novel 'The Beatles Yellow Submarine' Is Pure Delight

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Zacchilli Sketches the Future One Day at a Time in 'Space Academy 123'

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'Undocumented' Is a Paean to America's Embattled Migrants

The struggle for recognition and rights assumes heroic proportions in Duncan Tonatiuh's innovative graphic novel, Undocumented: A Workers Fight.

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Really, Really Loving the Beatles: Carol Tyler's 'Fab4 Mania'

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'Red Winter' Weathers the Heartbreaks of Communism

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Stage to Comics Page: George O'Connor's Adaptation of Adam Rapp's Dystopic Play, 'Ball Peen Hammer'

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'Carnet de Voyage' Is a Perfect Bridge Between Craig Thompson's 'Blankets' and 'Habibi'

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While migraines are known for their staggering (if temporary) disabling of the sufferer, some artists, like French, fearlessly explore the fantastical element of the migraine experience.

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'Magritte: This Is Not a Biography' Is Playful in Its Visual Riffs

This tribute to surrealist painter Rene Magritte reveals more about the comics form than the artist.

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'Yellow Negroes' Draws the Plight of Undocumented Lives

The liminal state between immigrant and citizen becomes the permanent experience of undocumented people.

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'Blue Is the Warmest Color' Is Better As a Comic

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Graphic Novel 'I, Parrot' Presents a Children's World Inhabited by Grown-ups

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'Black Dog: the Dreams of Paul Nash' Gives Chaotic Reality to the Dreamscapes of a War-haunted Painter

While no imitator, Dave McKean shares kindred tastes with Nash and creates a fictionalized memoir and dream journal of Nash's WWI experiences.

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Paul Madonna's 'On to the Next Dream' Sketches out a Rapidly Changing San Francisco

Progress -- that is, gentrification -- marches on in San Francisco, for better and for worse, in this fantastical narrative from the creator of All Over Coffee.

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A Kick Ass/Kick Arse Depiction of the Stylish Mods in '60s England

Jim McCarthy and Kevin Cross, writers and graphics artists from either side of the Atlantic, join forces to create a candid tale of the Mod scene.

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Agatha: The Real Life of Agatha Christie

The new Agatha Christie biography is a graphic novel in form but a mere flipbook in narrative.

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Drawing Disaster: Comics, War and Trauma

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Back to the Drawing Board With 'Flash Gordon Volume 4: The Storm Queen of Valkir'

At first, Austin Briggs’ work feels like a simplified version of Alex Raymond’s, the boldness of the characters’ figures and poses replaced by understated charm.

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The Dark Knight Is Finally Defeated by 'Batman: Night of the Owls'

“Night of the Owls” is bad in almost every conceivable way. It’s derivative, thoughtless, and boring, a by-the-numbers crossover in which the same story is told over and over again until the last page.

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Menace and Meh: Patrick McEown's 'Hair Shirt'

Patrick McEown excels at creating the rich imagery of nightmares and memory, but the waking relationships between the characters is tedious.

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A Child's Scars from Bullying Are Laid Bare in a New Edition of Lynda Barry's 'The Freddie Stories'

Many of us will no doubt relate to this young boy’s impressions of being a very small outsider in a big, scary, mean world.

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Brian Fies Gives Us a Vision of the Future Past In 'Whatever Happened to the World of Tomorrow?'

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Fifty years ago Attica prisoners rose up for justice -- and were slaughtered. Graphic novel Big Black: Stand at Attica is a powerful story from a survivor's point of view.

David Jesus Vignolli's graphic novel, New World, chronicles Indigenous resistance to European monsters in gorgeous art and mythic undertones.

In The Man Without Talent, Tadao Tsuge captures the element of fantasy reflected in the childish utopianism of free market capitalism and the committed entrepreneurs who are its happy-go-lucky evangelists.

Jaime Hernandez conveys an exuberance and vitality in his characters that make them easy to relate to and sympathize with. This is no less so in his latest graphic novel, Tonta.

Award-winning graphic artist Eleanor Davis likes to accent key moments in Hard Tomorrow through panel size. Big moments are literally bigger. Layout is a way of making meaning.

In Kate Lacour's graphic novel of imagined medical oddities, Vivisectionary, the viewer is the main character and the images the deranged antagonist.

As cannabis legalization spreads, Box Brown's graphic novel, Cannabis, examines the sordid and racist history of how it became demonized in the first place.

Jérôme Tubiana and Alexandre France have created a powerful work in Guantánamo Kid that brings attention to the humanity of people who are accused as terrorists.

Passion defines Rina Ayuyang's life as Blame This on the Boogie explores the pleasures and pitfalls of pop culture devotion.

The Hernandez Bros.' Love and Rockets graphic fiction series has created a community of misfits filled with as much anger as warmth, with as many mistakes as wisdom, and with as much sadness as joy.

While Manuele Fior's Red Ultramarine is far from abstract expressionism, it is a pleasure to find an artist-writer who regards the art of his images to be equal to the narrative they convey.

Existential loneliness and small comforts are perfectly conveyed in three simple colors in Michael Cho's graphic novel, Shoplifter.

Bill Morrison's The Beatles Yellow Submarine mixes its psychedelia to fully represent the strange combinations found in George Dunning's 1968 film.

Mickey Zacchilli's scribbled artistic and literary style undermines expectations.

The struggle for recognition and rights assumes heroic proportions in Duncan Tonatiuh's innovative graphic novel, Undocumented: A Workers Fight.

Drnaso's Sabrina explores how isolation, both psychic and social, fuels the evolution of tragedy into social paranoia and a dehumanized narrative of fraud.

Tyler's excitement and seemingly never-ending thrill from the point of view of her younger self as a Beatles fan nearly leaps from the page.

Swedish graphic novelist Anneli Furmar paints a bright window into a gray corner of political history.

Adam Rapp's characters have to kill and bag children to earn their keep. How does one depict that on stage and on page?

If Winter's Cosmos is Comeau's Alpha Centauri, I look forward to what fruits his new planets will bear next.

Travel is inherently marked by moments of beauty, mundanity, exhaustion, and connection; comics artist Craig Thompson shows it all.

While migraines are known for their staggering (if temporary) disabling of the sufferer, some artists, like French, fearlessly explore the fantastical element of the migraine experience.

This tribute to surrealist painter Rene Magritte reveals more about the comics form than the artist.

The liminal state between immigrant and citizen becomes the permanent experience of undocumented people.

Julie Mahor's hand is deft in so many ways, producing a visually and emotionally complex tale of coming-of-age love uniquely grounded in the comics form.

Although Unferth's family-oriented plot and Haidle's style sometimes evoke children's illustrated books, this is for grown-ups—and the intentionally simplistic rendering is more than surface details.

While no imitator, Dave McKean shares kindred tastes with Nash and creates a fictionalized memoir and dream journal of Nash's WWI experiences.

Progress -- that is, gentrification -- marches on in San Francisco, for better and for worse, in this fantastical narrative from the creator of All Over Coffee.

Jim McCarthy and Kevin Cross, writers and graphics artists from either side of the Atlantic, join forces to create a candid tale of the Mod scene.

The new Agatha Christie biography is a graphic novel in form but a mere flipbook in narrative.

Hillary Chute's Disaster Drawn reveals that comics may be the most useful form for witnessing war and trauma.

At first, Austin Briggs’ work feels like a simplified version of Alex Raymond’s, the boldness of the characters’ figures and poses replaced by understated charm.

“Night of the Owls” is bad in almost every conceivable way. It’s derivative, thoughtless, and boring, a by-the-numbers crossover in which the same story is told over and over again until the last page.

Patrick McEown excels at creating the rich imagery of nightmares and memory, but the waking relationships between the characters is tedious.

Many of us will no doubt relate to this young boy’s impressions of being a very small outsider in a big, scary, mean world.

Spanning a timeline between the 1939 World’s Fair in New York City and the final Apollo mission in 1975, Whatever Happened to the World of Tomorrow? is a baffling, puzzling story that plays fast and loose with temporality.