With the Academy Awards upon us, the Flipside examines whether the world's biggest platform for movie recognition might actually get it right this year, and avoid any, let's say, giant televised mishaps.
Imagine a George A. Romero zombie flick told from the point-of-view of the zombies. It wouldn’t work, because we would have to empathize with the antagonists, which would make them seem a little less terrifying.
Guillermo del Toro is perhaps the closest thing to a true geek God in the current crew of fanboy favorites. He sure knows how to stir their respective grits, goading them along a path less beaten than brief in its intended lasting viability.
There can be no doubt that the summer of 2008 stands as a high-water mark for superheroes. But in the wake of a superhero renaissance and the growing cultural legitimacy of the genre, the question must be posed: Has the superhero genre evolved beyond the comics medium?
Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
As her belief in herself comes full circle, as she discovers her crucial mythological role as it exists alongside her role alongside her mother, Ofelia becomes more real than her gorgeous allegory can bear.
Guillermo del Toro: It's not like there was no cruelty before or no brutality before. But the fact that now people can go out in the open about it, publicly, and not be shamed, even be proud of it!? I think it's a very dark time right now.