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Guy Ritchie

How Hollywood Saved Itself (Again) at the Summer 2017 Box Office
Featured: Top of Home Page/Features/Film

How Hollywood Saved Itself (Again) at the Summer 2017 Box Office

By
Michael Curley
/ 5 September 2017
The Summer Box Office of 2017 does not represent the death of the Hollywood. It simply represents the changing face of Hollywood accounting.
Featured: Top of Home Page/Film/Reviews

With the Help of Holmesavision: ‘Sherlock Holmes: A Game of Shadows’

By
Lynnette Porter
/ 14 June 2012
Comics/Featured: Top of Home Page/PopMatters Picks/Reviews

The Noir Clichés and Conventions in ‘Blue Estate 5’

By
Michael D. Stewart
/ 9 August 2011
Featured: Top of Home Page/Film

“It Is a Capital Mistake to Theorize Without Data…”

By
Kerrie Mills
/ 3 February 2011
Featured: Top of Home Page/Film

Guy Ritchie’s Headache-Inducing ‘Lock, Stock, and Two Smoking Barrels’

By
Bill Gibron
/ 2 December 2009
Featured: Top of Home Page/Film/Reviews

RocknRolla

By
Cynthia Fuchs
/ 31 October 2008
Featured: Top of Home Page/Film

‘Rocknrolla’ Marks Ritchie’s Return

By
Bill Gibron
/ 30 October 2008
Featured: Top of Home Page/Film/Reviews

Revolver

By
Jesse Hassenger
/ 16 March 2008
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Swept Away (2002)

By
Todd R. Ramlow
/ 10 October 2002
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Guy Ritchie’s ‘Snatch’ Is More of Everything

By
Cynthia Fuchs
/ 26 September 2002

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