Fucked Up Are Just Fine on ‘One Day’
Fucked Up’s One Day possesses a brightness and sense of happiness that’s addictive and optimistic, even if the lyrics at times insinuate the opposite.
Fucked Up’s One Day possesses a brightness and sense of happiness that’s addictive and optimistic, even if the lyrics at times insinuate the opposite.
This reissue of a groundbreaking, out-of-print album, Botch’s We Are the Romans holds the emotions of its time, the musical incarnation of millennial anxiety.
Brooklyn-based hardcore band Show Me the Body strive to escape banality and preach for the sake of the outcasts on Trouble the Water.
Chat Pile’s full-length debut God’s Country is a grim yet thrilling soundtrack to American decline, drawing on heavy traditions from nu-metal to slasher films.
Heavy Pendulum feels like a naturally collaborative album between Cave In and Converge. It’s a deeply compelling batch of heavy rock songs.
Fucked Up commemorate their 2011 landmark David Comes to Life with Do All Words Can Do, a B-sides compilation capturing the spirit of the original, even at a fraction of the length.
Drug Church have bent the aging punk and hardcore genre into new shapes on Hygiene whilst also becoming tighter, sharper, and more accessible.
Kentucky metalcore band, Knocked Loose explore trauma and grief through a tragic narrative on their new EP, A Tear in the Fabric of Life.
When punk rockers and sports jocks meet their clash creates a fusion that causes a different kind of explosion.
Massachusetts metallic hardcore band Converge solidified their legacy with the release of their seminal 2001 album, Jane Doe.
Released on Southern Lord to mark the US election, Dead End America spit fire in the direction of Donald Trump on Crush the Machine.
The masterful progressive work of Caligula's Horse, the reinvigorated spirit of Winter through Goden and Old Man Gloom's return alongside a healthy dose of black metal, hardcore-infused outbreaks, and noise rock highlight the month of May in heavy metal.