
MetalMatters: The Best Metal Albums of September 2026
In September’s best metal, Godflesh dream dystopian industrial structures, Epitaphe connect death metal styles, and Archgoat carry on their death/black tradition.

In September’s best metal, Godflesh dream dystopian industrial structures, Epitaphe connect death metal styles, and Archgoat carry on their death/black tradition.

The end of Godflesh is nigh, but with their first album for Relapse Records, the alpha and omega of industrial metal refuse to go gently.

This is the album Emma Ruth Rundle has long wanted and been destined to make. These Killing Times marks the actualization of a signature artist.

The familiar Mastodon is still roaring on Marrow Deep, though there are some new gears slipped into the engine, discovering how strange the band can become.

In best metal, Vengeance Arsenal rely on tradition for extreme metal, Static Abyss produce hallucinogenic death/doom, and Hanternoz strip away folk for melody.

Pure Ecstasy‘s highlight is Shomo’s undeniable talent for pop songwriting; however, it also pushes Beartooth’s heaviness into new directions.

Inferno’s The Anthropic Sophisms further tips the scales toward the psychedelic and atmospheric. Everything is subordinated to the ritual.

Emptiness’ Nowhere Speaks carries the same bleakness, a dread that the ominous, towering vocal delivery interprets fantastically.

Final Storm‘s cleaner production casts Witches Hammer’s songwriting in a different light, bringing melodic and traditional heavy metal strains into focus.

Mortem’s intricate songwriting and their balanced approach to traditional and majestic black metal have a clear goal.

Quicksand are still standing where peers have fallen off. Their patented sound is evergreen. Smart, upbeat lyrics and chugging riffs will always find an audience.

In July’s best metal, Witches Hammer deliver their final chapter, Emptiness return to their dark ways, and Sex Prisoner unleash powerviolence with heavy groove.