At Gorillaz Live 2022 (Berlin) We Dance at the End of the World Party
Modern life is rubbish and the world might really be ending but as Gorillaz’ “Dirty Harry” says, all we want to do is dance at the End of the World Party.
Modern life is rubbish and the world might really be ending but as Gorillaz’ “Dirty Harry” says, all we want to do is dance at the End of the World Party.
Bestriding boundaries between hip-hop, poetry, and surrealism, poet-musician Malik Ameer Crumpler forges a strange and compelling work that is utterly and uniquely his own.
Continuing to blend hip-hop and indie rock, Bartees Strange charts a musically agile, emotionally-charged journey through his psyche on Farm to Table.
Open Mike Eagle’s podcast What Had Happened Was is an enchanting and illuminating appreciation of hip-hop. This passionate, energetic, and prolific man talks with PopMatters.
An especially strong month in hip-hop saw the release of brilliant albums from, amongst others, Kendrick Lamar, Black Star, 700 Bliss, and Boldy James.
On Mr. Morale & The Big Steppers, renowned rapper Kendrick Lamar observes the strife plaguing his kingdom and consciously abdicates the throne.
April’s best hip-hop contains swathes of brilliance from modern masters, cult legends, upstarts, and veterans, including Digga D, Vince Staples, and Pusha T.
In 1997, you could call Love Jones a small, curious drama that won many critics over. Today, it stands as a cornerstone of Black narrative in cinema.
Any parent interested in American roots music will be delighted by Aaron Nigel Smith and Red Yarn’s Smith & Yarn, an album so charming that children will enjoy it too.
This month’s best hip-hop traverses the spectrum with the return of a legendary group, a dreamy jazz-rap collaboration, a UK drill upstart, and industrial rap metal.
Over a decade after Odd Future permanently altered the rap landscape, the group’s gleefully offensive debut shines in certain places and falters in others.
Homeboy Sandman represents the hip-hop ethos with a sound that’s not in the contemporary mainstream but not a nostalgic throwback either. He’s pure hip-hop.