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Director Joel Edgerton's well-intentioned drama about gay conversion therapy fails to deliver any new insight or even a good cry.
Donna Zuckerberg's Not All Dead White Men is a powerful study of the ways the alt-right distorts the understanding of ancient Greek and Roman literature to serve hateful interests today.
The tragedy of conversion therapy is confronted in Boy Erased, a well-meaning but perfectly conventional message movie.
Actor-director Joel Edgerton details the sensitive process of making Boy Erased and how the film could act as a lifeline for families who have experienced gay conversion therapy.
Hannah Gadsby's acclaimed Netflix special is a cultural milestone not only because it demands a better future, but because it teaches us about the present moment and where we might go next.
Has the "gay movement" failed? Not yet, suggests this historian's survey. But it urgently needs to reinvent itself.
Gay carnival culture in New Orleans offers an interesting parallel to African American culture. This and other observations are offered in Unveiling the Muse: The Lost History of Gay Carnival in New Orleans.
By picking up his subject after the most infamous event in Wilde's life, Frankel is able to rebuild the narrative of Wilde's post-prison life from the detritus of his public undoing.