Shinichi Atobe’s ‘Yes’ Sports an Appealing Electronic Eeriness
Despite its reverence for the roots of house music, an appealing eeriness blows through electronic producer Shinichi Atobe's Yes like a salty sea breeze.
Despite its reverence for the roots of house music, an appealing eeriness blows through electronic producer Shinichi Atobe's Yes like a salty sea breeze.
Beats producer Mux Mool returns with Skulltaste II, ten years after the first and delivers the banging new single "Latest Sulk" as his statement of intent.
Down Into Light feels like the album Lee Jones was always born to make. He's always had a lightness of touch, but here, his touch is more delicate than ever.
Maurice Fulton (BOOF) is a maestro of production value, adept at so many different sub-genres, and he's been at it for so long that he seems guaranteed not to fail. Almost 30 years since "Gypsy Woman", Rebirth of Gerberdaisy affirms all his gifts.
Producer Roza Terenzi's Modern Bliss shows she can take on many sounds at once—jungle, dub, trance, deep house, and classic Detroit techno—without sacrificing any flair or any nuance.
Electronic producer Sepehr discusses his debut album releasing Friday, sparing no detail on life in the Iranian diaspora, the experiences of being raised by ABBA-loving Persian rug traders, and the illegal music stores that still litter modern Iran.
Pagano's "Latin Tales" is the upbeat, sunshine-infused, groove-fest that we really need right now.
On "Tonto", Disclosure loop their signature hi-hats with bass, a saxophone, and the joyous voice of Eko Roosevelt.
Cubicolor's meticulously crafted soundscapes morph from plaintive electronic pieces into uplifting dance tracks in the space of a single song. Hardly a Day, Hardly a Night is a richly drawn, triumphant record.
Lagreca playfully toys with the natural dynamic of a club tune as he guides the listener to somewhere a little off the beaten track on "Dissociation".
This week features smart indie rock from Sea Girls, kaleidoscopic house from Redfield, fizzing indie pop-punk from Peaness, neo-soul-tinged hip-hop from Natty Wylah, and a full-on, monolithic rocker from False Heads.
Mexico-based electro duo Sotomayor blend merengue and house for a dancefloor takeover on new single "Menéate pa' mí".