As cinema went completely commercial, abandoning art for artifice, true aesthetic acumen was hard to come by. Luckily, for the movies included herein, it was their difference, as well as their diversity, that helped them stand out from the rest of the high concept hackwork.
The serious Science Fiction film genre is dead or at least on cinematic life support. As the new millennial marches forward, and an omnipresent production paradigm that substitutes spectacle for smarts, futurist filmmaking is definitely gasping for breath.
Apparently, as the sun's strongest rays finally settle over the movie going public, sequels are the remedy to cool down an overheated demographic. This month alone holds five examples of such redux refreshment. The rest of the choices are a variety pack of genres, ideas and possibilities.
As the 'eye of the storm' speeds across the screen, instantly freezing everything in its path, Jack looks up to see a flag, turned spastically solid in a second. Here it is, the money shot: the emblematic United States, stuck in time, blind to consequences, fixated on its own reckless self-love.