Hurray for the Riff Raff Finds ‘The Past Is Still Alive’
Hurray for the Riff understands that we are all part of the same world and share the same past. The past may be alive, but that doesn’t make us zombies.
Hurray for the Riff understands that we are all part of the same world and share the same past. The past may be alive, but that doesn’t make us zombies.
Adam Remnant’s new EP is full of narratives about mistakes of the past, life routine, and nighttime miracles, with a touch of Elliott Smith and Bright Eyes.
Lizzie No knows all things must pass. Halfsies is a beautiful Americana/folk record with the lovely theme of freedom implicit in the lyrics.
The best folk albums of the year are an eclectic lot brought to us by long-time notables, indie greats, and artists taking folk music in new directions.
Beirut has turned inward on Hadsel and it’s an affirming, warm kind of music to serve as a soundtrack for the next valley surely coming for us all.
Their affinity for blending their sonic art with grassroots activism for social justice causes has made Rising Appalachia a musical voice for a better world.
Indie folk artist John Vincent III proclaims that love is central to his life on Songs for the Canyon and offers these songs as proof.
Can the Mountain Goats’ uncompromisingly oblique and challengingly uncommercial Jenny From Thebes become a fully-staged Jennymusical?
The Shins’ Chutes Too Narrow remains one of the essential indie rock records, especially if one wants to understand the moment the genre had in the 2000s.
Sufjan Stevens draws on his broad musical experience and stylistic flexibility for his new LP, giving Javelin musical wisdom and making it one of his best.
Laura Veirs’ Phone Orphans works because of its roughness. She’s not gilding the lily, and she offers her direct sensibility as a way to address her ignorance.
The Shins’ Chutes Too Narrow is one of the defining albums of the indie rock era when the genre grew alongside independent, online publications and hipsterism.