
Modern Nature’s ‘The Heat Warps’ Is Superb and Compelling
Modern Nature’s new LP, The Heat Warps, is fabulously compelling and questioning, and the questions it asks are not the ones you expect to hear on a pop album.

Modern Nature’s new LP, The Heat Warps, is fabulously compelling and questioning, and the questions it asks are not the ones you expect to hear on a pop album.

Cassandra Jenkins’ new LP conveys moods and calming vibes, along with the creative imagination of its creator and her fellow musicians. It’s a beautiful piece of work.

On Double Infinity, Big Thief return as a trio to deliver their loosest compositions and some of their most moving work to date.

Kathleen Edwards sounds as confident as ever, with a clear vision of what matters. This latest record is marked by wisdom, heart, and varied Americana.

Despite the title, Jens Kuross’ Crooked Songs is awash with irrepressibly straightforward sentiments that should charm even the most cynical person.

Gorgeously produced and expertly arranged, Hand Habits has issued a work that should be counted among the year’s most successful offerings.

Marissa Nadler’s tenth studio album, New Radiations, is her most raw, stripped-down, and intimate to date. It’s also one of her best.

Seven years after her debut, folk artist Jessica Risker embraces sophisticated, baroque arrangements. It’s so good that it’s worth the wait.

The 2025 Newport Folk Festival had so many superb artists to catch, old favorites, rising musicians, and surprise collaborations. Here are a few highlights.

James Yorkston hits new heights of organic wistfulness and melancholy with the aid of ex-Cardigans singer Nina Persson and First Aid Kit’s Johanna Söderberg.

Lisa Harres’ debut strikes the right balance between skeletal piano-led ballads and baroque embellishments. It’s spellbinding with elusive beauty and staggering depth.

Elliott Smith’s self-titled sophomore album marks the beginning of his solo career in earnest, and it remains one of the finest indie records of the 1990s.