Kishi Bashi’s ‘Kantos’ Is a Sonic Exploration Into Philosophy
Kishi Bashi’s Kantos blends philosophy, identity, and the human condition with genre-defying music and introspective lyrics.
Kishi Bashi’s Kantos blends philosophy, identity, and the human condition with genre-defying music and introspective lyrics.
JW Francis executes his ideas with precision and shows exceptional growth while maintaining a firm root in the DIY lo-fi spirit. SUNSHINE is yet another example.
On the effervescent EELS, Being Dead make good on their promise not to repeat themselves on any song and dart through styles with relative ease to produce a gem.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.
Soccer Mommy wrestles with profound loss on her new record, which is more organic and grander than anything she has released before.
Austin’s Being Dead offer up a bizarre, disjointed realm that constantly shifts, sweeping you up and launching you into the most unexpected places.
Channeling For Against and classic Stone Roses, Healees’ Coin de l’œil fuses jangle, shoegaze, and power pop into something beyond those genres.
Indie rock icon Fred Thomas’ new LP Window in the Rhythm is a career highlight, a riveting and moving meditation on the passage of time.
Producer and multi-instrumentalist Nate Mendelsohn’s (Market) latest songwriting project Well I Asked You a Question is wobbly, unstable, and catchy as hell.
These are the best songs from Pixies’ original lineup. There are sounds here you didn’t think a guitar could make, and screaming that sounds close to inhuman.
Pixies’ latest LP, featuring new bass player Emma Richardson, is another solid but not earth-shattering effort. It’s clever, if not cute, with a charming theme.
Uncollected Noise New York ’88-’90 is a new compilation of unreleased tracks, B-sides, and rarities that restores and dismantles the myth of Galaxie 500.