Twenty-five years old today, David Bowie’s Earthling embodies multifaceted, sometimes contradictory currents of 1990s pop culture, including industrial metal and drum ‘n’ bass.
After two decades, Massiv in Mensch keep things fresh and innovative on Türkis und Schwarz, perhaps the best album yet from the electronic/industrial group.
Following a decade-plus break from official studio albums, Cabaret Voltaire are back with a bevy of releases that shows the electro icon empowered, recharged, and as mired in dissonance and drum beats as ever.
Nine Inch Nails' 1992 EP is half an hour of visceral, undiluted anger delivered through muscular, caustic guitars and Trent Reznor's anguished screams. It's concise, focused, and arguably the pinnacle of Nine Inch Nails' discography.
This phase of Coil, explained by them as more "feminine", "lunar consciousness musick" in contrast to their previous "solar" phase, featured extensive use of organs, electric viola, and other synthesizers, a greater range of vocal experimentation.
Detroit-based electronic/industrial outfit, Konqistador team with Toronto hip-hopper HanHan for "Visaya", a song that blends darkwave and rap into an incendiary combination.
On his debut album for Mute, Berlin-based producer Nicolas Bougaïeff applies meticulous care and a deft, trained ear to each track, and the results are marvelous.
Regis' music often feels so distorted, so twisted out of shape, even the most human moments feel modular. Voices become indistinguishable from machines on Hidden in This Is the Light That You Miss.
Brooklyn's Wetware have created a wild collection of industrial noise on Flail that sounds more like an intense fever dream than anything else.
Decades after their initial formation, legendary experimentalists ONO have made an album that's topical, vital, uncomfortable, and cathartic. Red Summer is an essential documentation of the ugliness and oppression of the United States.