Decades after their initial formation, legendary experimentalists ONO have made an album that's topical, vital, uncomfortable, and cathartic. Red Summer is an essential documentation of the ugliness and oppression of the United States.
At Severed Heads' third-last show in New York, after decades of playing electronic, art-pop, Tom Ellard swung a noose around his band's head and, with an imitable grin, slowly pulled tighter. After 40 years, Severed Heads is done, and Ellard muses on his long career.
The promised new album emerged in 2007 mashing together an EP's worth of new Throbbing Gristle, four outtakes from the band members' solo work, and two songs hanging around since their reformation in 2004.
The demon stepchild shadowing punk's footsteps in the 1970s, Throbbing Gristle, returned in this new century making the case that they had something new to say with TG Now.
In the latest component of a comprehensive reissue series, three limited-edition releases from the 2004-2007 iteration of Throbbing Gristle are back in print. We begin with Live December 2004: A Souvenir of Camber Sands.
As a DJ and an artist, Kris Baha picks up on the most ideologically charged 1980s electronic dance music and introduces it to a new and growingly voracious audience.
Your favorite sound collage maestros Negativland return with a meditation on greed that could have been written in the 1980s or the 1790s.
TOPY and Genesis P-Orridge's knowing adoption of cult iconography and organizing principles quickly slid from satiric emulation to full embrace -- and we all went along with it.
Neurosis and Jarboe collaborated on a stunning album of heavy metal experimentation back in 2003. Now the album has been remastered and it's time for a fresh appraisal.
The singular synth/industrial/performance art innovator and provocateur Fad Gadget influenced Depeche Mode and scores of others, but never really got his due.
Cabaret Voltaire's Richard H. Kirk talks about two new collections of the legendary post-punk band's early music, an upcoming new album, and how he prefers to listen to music.
Blanck Mass' Animated Violence Mild drops unrelenting electro-industrial melodies, practicing excess to explore personal grief and the global devastation of consumerism.
