
Video Killed the Podcasting Star
Everything, it seems, is becoming a video podcast these days, but perhaps not everything was meant to be seen.

Everything, it seems, is becoming a video podcast these days, but perhaps not everything was meant to be seen.

Dandy diarist extraordinaire Dickon Edwards talks about how his diary writing is a queer, articulate, and pointed retort to the pressures of conformity.

Fan obsession over celebrity spouses mirrors anxieties about our performative selves in the age of influencers.

Peter Vack’s candy-colored RachelOrmont dares the squeamish to reckon with the schizoid darkness happening on cellphones all around them.
When it comes to music criticism, which version is real? The serious opus or the TikTok goofy snippet?

In this attention economy, where shock pays dividends and subtlety is a liability, the stripper is a cultural archetype, the influencer a high priest of exposure.

Fans are struggling with how to separate Kanye West’s groundbreaking artistry from his troubling descent into white nationalism and hate speech.
The COVID pandemic seemed to accelerate the spread of new viral media, but viruses mutate, pop culture replicates, and everything’s a cover song.
How the Russo-Ukraine War generated a media dimension of its own and how it linked the myths of the past century to the challenges of our own.
The “future” in future funk is removed from any historical sense of time, existing in a digital future that can be forever extended – and always out of reach.
Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
Like Beckett’s Krapp’s Last Tape, Bo Burnham’s Inside offers rich insights into how our psyches and sense of self get warped by ever-advancing technologies.