
Eilen Jewell Steps Off the Road, But Not Out of the Song
The Doors’ influence runs deep, folk-Americana singer-songwriter Eilen Jewell admits. “I basically wanted to be Jim Morrison,” she said with a laugh.

The Doors’ influence runs deep, folk-Americana singer-songwriter Eilen Jewell admits. “I basically wanted to be Jim Morrison,” she said with a laugh.

Folk-rock troubadour Leah Song of Rising Appalachia discusses her passion for combining music and activism.

Bill MacKay, Douglas McCombs, and Tashi Dorji’s improvisational music mirrors Garry Winogrand’s street photography.

Tabitha Meeks is vintage “Girl Power” in a 1960s Nancy Sinatra dress and white vinyl boots. It’s brand-new/second-hand, a merging of the old and the new.

In 2026, with AI-generated songs arriving by the truckload, Samantha Fish decided it might be the right moment to release a live album that leaves the seams showing.

“Anthemic” may as well be woven into Shinedown’s sonic DNA after 25 years of number one hits and sold-out shows. EI8HT is crafted for moshpit catharsis.

Rapper Tashera Savage aims to deviate from the crime-ridden mythology of Baltimore’s streets in the upcoming biopic, Thru the Eyes of the Hustler’s Daughter.

Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.

And Also the Trees reflect upon the cache of artistic and natural world influences that give their preternatural rock deep shades of Euro-Blues and Moorland Goth-Pop.

Canada’s electroclash provocateur Peaches is back with another daring polemic, No Lube So Rude, and reflects on her journey to it.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

Charley discusses her therapeutic poptimism that extends beyond rote structures and clichés to strike a deeper chord with listeners.