Desolation Kerouac: Wrestling with Demons in ‘Desolation Peak’
Jack Kerouac’s posthumous Desolation Peak establishes that Kerouac was more than a road warrior out for kicks. Or some wayward beatnik.
Jack Kerouac’s posthumous Desolation Peak establishes that Kerouac was more than a road warrior out for kicks. Or some wayward beatnik.
As cool as Marlon Brando, James Dean, Jack Kerouac or Dalton Trumbo, rebel Max "Flaco" Greenbaum grows up in Watts Riots-Vietnam-draft-era L.A. Too smart (and smart-mouthed) for school, the violence of this world is drawn in deep and lingers like the long, slow, life-saving drag of a cigarette.
Reading Jack Kerouac, I saw in living flesh all of the Cody Pomerays, Dean Moriartys, Sal Paradises, and Alvah Goldbooks in every sailor I bunked with, each and all from every corner of America, revealing all and true as only comrades can do in the cocoon of shared experience.
These essays explore the connection between Kerouac and the music he loved -- Charlie Parker, Lee Konitz, Chet Baker, Miles Davis and others -- and the musicians who loved him, in turn.
Blues and Haikus captures Jack Kerouac at a high point even when he was already starting to slip away from us.
American Witness anecdotally demonstrates Frank's far reaching influence. RJ Smith's skills as a storyteller make this an engaging journey.