Dead & Company Dazzle in the Desert with Sphere Residency
Grateful Dead spinoff Dead & Company’s creative use of Sphere’s visual technology elevates the concert experience to a multidimensional amusement park.
Grateful Dead spinoff Dead & Company’s creative use of Sphere’s visual technology elevates the concert experience to a multidimensional amusement park.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
Whether blues power can help save a world gone mad from dystopian decline remains to be seen, but the Tedeschi Trucks Band appear ready to do so or die trying.
Phish’s Hoist was their fifth LP and they were in the mood to try new things. Consequently, it felt like their version of a big commercial swing.
Jam rock’s Phish at Las Vegas’ Sphere is like a sonic jackpot with all the bells and whistles that just keep paying out. It’s a wormhole to another dimension.
With its antiseptic sound, The Spectrum ’97 box set can’t adequately substitute for what it was like to be there at a 1990s Phish show.
In the second set, Gov’t Mule forgo their standard repertoire with what turns out to be a series of fan favorite cover tunes that celebrate their influences.
From Phil Lesh returning to home base to rising stars like Margo Price, the Fillmore remains the most hallowed hall in American rock ‘n’ roll.
The Gen-X rockers from Buffalo, New York, Moe, transcend recent tribulations with an old-fashioned Saturday night rager at the Fillmore in San Francisco.
It’s an Aquatic Soiree celebrating String Cheese Incident’s 30th anniversary, with each set representing a succeeding decade in their illustrious career.
Billy & the Kids don’t aim to reproduce Grateful Dead’s sound, with the players pushing the envelope in tone and attack to give the band a more modern sound.
Bob Weir premieres his symphony project that adds orchestral backing to Grateful Dead classics, making this show a special event.