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'Something Wild' Is a Film You Will Feel Was Made Just for You

Jonathan Demme’s unclassifiable oddball masterpiece finally gets the recognition it deserves from Criterion.

Reviews

Away We Go

Away We Go is breezy and summer-appropriate -- but its central couple still has problems.

Tricia Olszewski

Reviews

Summer of Same: June 2009

This month's "original" fare offers a take on a Sid and Marty Krofft classic, more battling seizure robots, and the retaking of '70s subway thriller. Everything old is new again.

Film

State of Play

In this new universe where facts are mutable and ends are means, so-called ethical triumphs can only be short-term.

Reviews

OMG - The 20 Worst Films of 2008

There's bad, and then there's 2008 level bad. You know this list is looking down into a deep dark bottomless pit of cinematic despair when Mike Myers' shameful Love Guru didn't even make the Top 20!

Film

Traitor

While the film appears at first to be complicating the definition of "traitor," it's not long before the potential meanings are reductive and literal.

Reviews

The Return of the Popcorn Circus: July 2008

And it just doesn't stop. If part two in this three-ring play was packed with well hyped product, July just keeps the receipt treats coming.

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The Lookout (2007)

Gordon-Levitt makes Chris' efforts to look at himself honestly seem quite complicated, a series of steps both typical and original.

Reviews

Infamous (2006)

When Truman quite gleefully describes his plan to use 'fictional techniques' to tell his nonfiction story, to shape the Clutter murders as an emblem of cultural malaise, Nelle insists on a knowable distinction between fact and fiction.

Film

The Squid and the Whale (2005)

As Noah Baumbach's film tracks Walt's slow evolution during the months surrounding his parents' divorce, it keeps something of a distance, wry and observant.

Cynthia Fuchs

Film

Good Night, and Good Luck (2005)

Shot in exquisite black and white, George Clooney's portrait of Edward R. Murrow is partly reverential, partly probing.

Cynthia Fuchs

Film

Because of Winn-Dixie (2005)

Simple, kind, honest, and unpatronising, Because of Winn-Dixie handles the friendship between Opal and her mutt quite perfectly.

Roger Holland

Reviews

Imaginary Heroes (2004)

Dan Harris's Imaginary Heroes keeps digging into Sandy's darkly-secreted past, producing revelations less surprising than wearisome.

Cynthia Fuchs

Film

Ragtime (1981)

Profound as Coalhouse walker's story might be, Ragtime is about far more.

Nikki Tranter

Reviews

Heartburn (1986)

In Heartburn, we're not privy to any clues that Mark might be the unfaithful party, even though we know it's a plot device coming down the track like a Metroliner.

James Oliphant

Reviews

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Jonathan Demme’s unclassifiable oddball masterpiece finally gets the recognition it deserves from Criterion.

Away We Go is breezy and summer-appropriate -- but its central couple still has problems.

This month's "original" fare offers a take on a Sid and Marty Krofft classic, more battling seizure robots, and the retaking of '70s subway thriller. Everything old is new again.

In this new universe where facts are mutable and ends are means, so-called ethical triumphs can only be short-term.

There's bad, and then there's 2008 level bad. You know this list is looking down into a deep dark bottomless pit of cinematic despair when Mike Myers' shameful Love Guru didn't even make the Top 20!

While the film appears at first to be complicating the definition of "traitor," it's not long before the potential meanings are reductive and literal.

Lacking forward motion, Space Chimps turns itself in circles.

And it just doesn't stop. If part two in this three-ring play was packed with well hyped product, July just keeps the receipt treats coming.

Gordon-Levitt makes Chris' efforts to look at himself honestly seem quite complicated, a series of steps both typical and original.

When Truman quite gleefully describes his plan to use 'fictional techniques' to tell his nonfiction story, to shape the Clutter murders as an emblem of cultural malaise, Nelle insists on a knowable distinction between fact and fiction.

As Noah Baumbach's film tracks Walt's slow evolution during the months surrounding his parents' divorce, it keeps something of a distance, wry and observant.

Shot in exquisite black and white, George Clooney's portrait of Edward R. Murrow is partly reverential, partly probing.

Simple, kind, honest, and unpatronising, Because of Winn-Dixie handles the friendship between Opal and her mutt quite perfectly.

Dan Harris's Imaginary Heroes keeps digging into Sandy's darkly-secreted past, producing revelations less surprising than wearisome.

Profound as Coalhouse walker's story might be, Ragtime is about far more.

In Heartburn, we're not privy to any clues that Mark might be the unfaithful party, even though we know it's a plot device coming down the track like a Metroliner.