Part five of the Most Memorable Albums of 1999 is highlighted by the political rock of Rage Against the Machine and Joe Strummer, as well as major league hip-hop from Mos Def, Pharoahe Monch, Q-Tip, and Jay-Z.
The Clash's biggest compilation to date is certainly complete (except for the omission of their only non-Jones album), but the results are often inconsistent and repetitive, even for the most avid completist.
Johnny Greene and a roadie... found a rehearsal room... (it) was at the rear of a garage, the kind of premises you might see in American gangster films as heists are planned... Here, hunkered together with no visible means of financial support, the Clash would rigorously write and rehearse the new songs that would emerge as London Calling, which time would judge one of the finest rock 'n' roll albums ever made...
"... people like Joe Strummer... were like the punk intelligentsia, they were the thinkers... (Joe) knew all the cultural and literary references, all the revolutionary references, and he put it all into context... there's a lot more ideas (sic) in one of Joe's rhyming couplets than there are in some people's entire albums..." -- Don Williams
Streetcore, is a tragic testament to Strummer's gifts as a songwriter and musician, a political and spiritual disc, a great rock-and-roll record that questions the state of the world and somehow simultaneously looks both forward and backward.