Both films are the story of a lone, jaded gunslinger in a lawless wasteland, but instead of being set in the rurally nostalgic heartland, they're set in the dilapidated coastlines of an empire in decline.
John Carpenter's classic siege thriller isn't quite the old Hollywood throwback it's reputed to be, but it offers a striking reworking of genre mechanics and imagery to make up for its unsentimental atmosphere.
I picked up this book with tears of joy streaming down my face, thanking the cosmos that someone finally wrote an exhaustive book for horror fans. But my tears of joy turned to tears of anguish, my fists clenched strands of hair wrenched from my head.
The impact of Alien is undeniable, and with Prometheus breathing new, terrifying and artistic life into the saga, Alien's legacy could go anywhere. However, Alien didn't spring, fully-formed onto movie screens as the near-perfect Star Beast that it is.
Matthijs van Heinjningen Jr.'s prequel to John Carpenter's The Thing summons the chilly vibe and the cinema-sexual psychoanalytic undertone of the best of '80s genre cinema. It's only the generic modern "female empowerment" story that seems dated.
John Carpenter’s They Live is “probably the stupidest film ever to take ideology as its explicit subject”, at least according to author Jonathan Lethem. He’s probably right, but that doesn’t meant that the film’s coded messages are as black and white as…well, the film’s diegetic coded messages
To cope with the heat wave, advisories suggest visiting 'cooling centers' or public pools. To achieve a truly chilled-out state of mind, however, why not open the door to your mind and let the iceman cometh inside?
Day One - A trip back to the classic days of studio system Hollywood, complete with great musicals, amazing adventure yarns, and a couple of post-modern freak outs, just to keep things controversial and lively.