
‘Pretty in Pink’ and the Death of the Left
Pretty in Pink‘s key moments show that John Hughes’ film is neither conservative nor leftist. Rather, it is an exploration of the death of the left.

Pretty in Pink‘s key moments show that John Hughes’ film is neither conservative nor leftist. Rather, it is an exploration of the death of the left.
A quiet revolution of women in the film industry, the rise of home video -- The Ultimate History of the '80s Teen Movie is about more than just Saturday Night Fever and The Breakfast Club.
Teenage angst about being alive but unnoticed, perfectly captured by Simple Minds' song, permeates the pre-social media era of The Breakfast Club.
The nostalgic beauty of Planes, Trains and Automobiles — aside from a delicious '80s synth score — is its fleshy, alive representation of different economic classes having to deal with one another absent easy technological escapes.