John Huston understands the crushing success of failure. In the rarely seen films Sinful Davey and Fat City, he observes the self-destructive behaviors and interactions of stunned and blasted losers as closely as Jane Austen would.
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music.
In her newest film 50/50, the actress brings everything full circle, combining comedy and high drama with another far less-discussed area of her expertise: the ability to work a good old-fashioned bad wig and turn it into a powerful acting tool.
On our fourth day, this journey through the 100 Essential Film Directors continues to twist and turn in unexpected ways. From bold, opinionated Hollywood voices to those who essentially created the language of cinema, today will shed light on kings of genre like Samuel Fuller, through lions like the legendary John Huston.
Day One - A trip back to the classic days of studio system Hollywood, complete with great musicals, amazing adventure yarns, and a couple of post-modern freak outs, just to keep things controversial and lively.
When it comes to post-modern moviemaking, everyone stereotypes the Me Decade as the genre's defining moment. In this case -- as illustrated by the 10 films that represent it -- the categorization is more than accurate.