Kathleen Hanna, Riot Grrrl, and Punk
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.
Bikini Kill’s biting 1993 opus Pussy Whipped was the centerpiece of the riot grrrl movement, an uninhibited, game-changing punk album by dissident young women.
Indie pop could use more queer icons, and Caleb Nichols has what it takes to become one of them as he shows on Let’s Look Back.
Tele Novella are more Brian Wilson than Hank Williams on Poet’s Tooth, a pop band with compositional sophistication waiting to get out of their Austin city limits.
Mikaela Davis builds her latest LP as a progression, moving further into rock territory as if demonstrating across an album the fluidity of genre and her art.
Shamir’s gorgeous voice is a genderless, androgynous instrument, soulful, tight, airy, and jazzy, capable of lilting beautifully over shiny pop beats.
Alt-rock supergroup Filthy Friends stumble a bit on the highly political Emerald Valley, but emerge mostly unscathed.
The DIY strategies and indie allegiances of recent alternative comedians reveal the spirit of punk to be alive and kicking beyond the music world.
Anchored by strong songwriting and an evolving sonic palette, Horse Feathers turn in yet another solid record with Appreciation.
Riot grrrls wrote, recorded and produced a wealth of cultural objects. They left trails of scribbles, screams and lipstick traces in MP3 blogs and online archives