The Ealing name has been revived in the new century, but film buffs will always regard its incandescent era as that period when it held up a scrappy and schizoid mirror to postwar England's depressions and aspirations.
The four restored films in Kino Lorber's Blu-ray box. Ida Lupino: Filmmaker Collection, give viewers a fresh opportunity to consider the career of Ida Lupino, the only woman directing Hollywood features in the 1950s. Woman in Hiding (also from Kino Lorber) is an example of the work Lupino did as an actress for hire, and which allowed her to finance her own films.
In the '70s there was something sinister sneaking into suburban homes between the sitcom and the 11 o'clock news where the real horrors played out. The made for TV horror film The Night Stalker would be among the best.
We move through life among strangers whom we try to make less strange by identifying repetitive behaviors as identity. At some point, we might even say we "know" a person. Lynch's Lost Highway shows that we don't know anything about each other.
Jean-Luc Godard's cinematic oddities First Name: Carmen, Détective, and Hélas pour moi, newly released on Blu-ray from Kino Lorber, embody the vast landscape of possibilities open to the director during the '80s and '90s.
Made for TV programs of the '70s really knew how to dish it out. Michael Crichton's Pursuit is all about men conquering each other; whereas Lee Philips' The Girl Most Likely To is a poisoned bon-bon about making pain palatable.
Flicker Alley's The Extraordinary World of Charley Bowers gathers and restores what remains of an elusive and very clever film pioneer, and Kino Lorber shares the silently charming magic of Herbert Brenon's Peter Pan.