Flicker Alley's The Extraordinary World of Charley Bowers gathers and restores what remains of an elusive and very clever film pioneer, and Kino Lorber shares the silently charming magic of Herbert Brenon's Peter Pan.
All or most of the films in RKO Classic Romances and RKO Classic Adventures are in the public domain and circulated in poor condition. These Library of Congress prints have been digitally restored by Lobster Films in Paris and consistently look and sound very good.
Filmmaking was only one element of a much wider feminist movement that was manifesting itself in various forms, from the flapper to the suffragette to the birth control advocate to the bohemian female writer and political activist.
By the time Yates' Robbery and Kjellin's Midas Run came along, the Hollywood Production Code was weakening as the western world entered a period of rebellious youth, short skirts, sexual permissiveness, Cold War cynicism, colonial wars, and general political uppity-ness.
The French Fantômas films Fantômas, Fantômas Unleashed, Fantômas vs. Scotland Yard and similar crime film projects in Britain, Germany, and the US are related by secret, labyrinthine, diabolical blueprints of unfathomable complication.
Dismissed as "trash" in their day, Charles Bronson films Rider on the Rain and Cold Sweat belong to a Golden Age of internationally co-produced Euro-thrillers that combine pulp storytelling with stylistic elegance and intense emotion.
While Anthony Asquith's Shooting Stars and Underground look excellent on Kino Lorber's digital restoration, Arthur Robison's The Informer, looks most spectacular, thanks to working from the original negative and a tinted nitrate print.
Kino Lorber's release of Personal Problems can be seen as a major intervention in recovering "lost" videotapes, representing an important black collective creative contribution of US grassroots videomaking.