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lindsay lohan

Featured: Top of Home Page/Film/Reviews

‘The Canyons’ and the End of Film

By Brendan Boyle / 10 December 2013
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Lindsay Lohan’s Recovery in ‘The Canyons’

By Chris Barsanti / 9 August 2013
Featured: Top of Home Page/Mixed Media/Music

The Pop Fan’s Most-Anticipated Albums of 2012?

By Jessy Krupa / 20 January 2012
Featured: Top of Home Page/Film/Reviews

Chapter 27

By Cynthia Fuchs / 27 March 2008
Featured: Top of Home Page/Features

Super Duper Bad: The Worst Films of 2007

By PopMatters Staff / 10 January 2008
Featured: Top of Home Page/Film/Reviews

I Know Who Killed Me

By Cynthia Fuchs / 9 August 2007
Featured: Top of Home Page/Film/Reviews

Georgia Rule (2007)

By Cynthia Fuchs / 11 May 2007
Featured: Top of Home Page/Features/Film

Monkey Business (Part 1: May)

By Bill Gibron / 30 April 2007
Featured: Top of Home Page/Film/Reviews

Bobby (2006)

By Cynthia Fuchs / 15 April 2007
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Bobby (2006)

By Cynthia Fuchs / 16 November 2006
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

A Prairie Home Companion (2006)

By Michael Buening / 16 October 2006
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Just My Luck (2006)

By Cynthia Fuchs / 23 August 2006

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Older posts

Featured

Jayne Mansfield Outsmarts the “Dumb Blonde” Role In Steinbeck Adaptation ‘The Wayward Bus’
All Things Reconsidered/Books/Featured: Top of Home Page/Features/Film/Film Feature/Pop Past

Jayne Mansfield Outsmarts the “Dumb Blonde” Role In Steinbeck Adaptation ‘The Wayward Bus’

By Matt McKinzie / 21 March 2023
Maggie, What Have We Done: Pink Floyd’s ‘The Final Cut’ at 40
All Things Reconsidered/Featured: Top of Home Page/Features/Music Features/Pop Past

Maggie, What Have We Done: Pink Floyd’s ‘The Final Cut’ at 40

By Chris Ingalls / 21 March 2023
Tom Waits’ ‘Closing Time’ and the Myth of the Eponymous Debut Album
All Things Reconsidered/Featured: Top of Home Page/Features/Music/Music Features/Pop Past

Tom Waits’ ‘Closing Time’ and the Myth of the Eponymous Debut Album

By Avery Gregurich / 20 March 2023
Will the TV-Adaptation of ‘The Power’ Persuade Viewers?
Books/Featured: Top of Home Page/Features/Television

Will the TV-Adaptation of ‘The Power’ Persuade Viewers?

By ​Shaun Anthony McMichael / 20 March 2023
10 Songs That Will Make You Love U2
Featured: Top of Home Page/Features/Lists/Music/Music Features/Sound Affects

10 Songs That Will Make You Love U2

By AJ Ramirez / 20 March 2023

Publish with PopMatters

PopMatters Seeks Music Writers
Announcements/Music/Music Reviews

PopMatters Seeks Music Writers

By PopMatters Staff / 28 September 2022
PopMatters Seeks Film Critics and Essayists
Announcements/Film

PopMatters Seeks Film Critics and Essayists

By Karen Zarker / 28 September 2022
PopMatters Seeks Television Critics and  Essayists
Announcements/Television

PopMatters Seeks Television Critics and Essayists

By Karen Zarker / 28 September 2022

 
 
 

Featured

Jayne Mansfield Outsmarts the “Dumb Blonde” Role In Steinbeck Adaptation ‘The Wayward Bus’
All Things Reconsidered/Books/Featured: Top of Home Page/Features/Film/Film Feature/Pop Past

Jayne Mansfield Outsmarts the “Dumb Blonde” Role In Steinbeck Adaptation ‘The Wayward Bus’

By Matt McKinzie / 21 March 2023
Maggie, What Have We Done: Pink Floyd’s ‘The Final Cut’ at 40
All Things Reconsidered/Featured: Top of Home Page/Features/Music Features/Pop Past

Maggie, What Have We Done: Pink Floyd’s ‘The Final Cut’ at 40

By Chris Ingalls / 21 March 2023
Tom Waits’ ‘Closing Time’ and the Myth of the Eponymous Debut Album
All Things Reconsidered/Featured: Top of Home Page/Features/Music/Music Features/Pop Past

Tom Waits’ ‘Closing Time’ and the Myth of the Eponymous Debut Album

By Avery Gregurich / 20 March 2023
Will the TV-Adaptation of ‘The Power’ Persuade Viewers?
Books/Featured: Top of Home Page/Features/Television

Will the TV-Adaptation of ‘The Power’ Persuade Viewers?

By ​Shaun Anthony McMichael / 20 March 2023
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