
Does Rock Have a Nazi Problem? This Ain’t Rock ‘n’ Roll
This Ain’t Rock ‘n’ Roll details the rock stars who took up Nazi imagery, but what does their fascination with fascism mean?

This Ain’t Rock ‘n’ Roll details the rock stars who took up Nazi imagery, but what does their fascination with fascism mean?

The lasting terror in Lord of the Flies isn’t that civilization breaks down: it’s that the tools of empire (dominance, ideology, forced conformity) remain alive and well, even in our children.
PopMatters Best Books of 2024 include a broad range of nonfiction, many books on music, short fiction, a novel that turns a Mark Twain classic inside out, and much more.
The late author Alice Munro’s work is criticized for its portrayal of men. But radically, not all her rejected male characters are mediocrities.
You can smell the cigarette ash and Johnnie Walker Black Label on the pages of A Hitch in Time, a gleefully pugilistic posthumous Christopher Hitchens anthology.
Blending personal experience with popular culture, Peter Coviello seeks to democratize how criticism is understood and practiced in Is There God after Prince?
In Monsters, Claire Dederer explores how fans’ “dumb love” of art can exist with “heartbreak” and unresolved feelings about monstrous artists.
Medievalist Hana Videen’s The Wordhord relies on remaining fragments of documented Old English to conjure the daily life of Anglo-Saxons.
Hypochondria, obsession, and confusion set the rules for a love affair in Jenny Bitner’s excellent debut novel, Here Is a Game We Could Play.

Jennifer Egan’s The Candy House is an EDM concert, a prestige drama, a mind palace – and a warning.

Terry Eagleton’s richly informed writing is enhanced by perspicacity, wit, and discrimination. Yet his focus on five writers in ‘Critical Revolutionaries’ is missing something.
Cathy Curtis has published four biographies in six years but her recent work on Elizabeth Hardwick is missing a strong point of view.