
Fitz-James O’Brien’s Exuberant Morbidity
Fitz-James O’Brien’s exuberantly morbid stories, set amongst mid-century New York’s boarding houses and alleyways, are works of comic skepticism and cosmic messiness.

Fitz-James O’Brien’s exuberantly morbid stories, set amongst mid-century New York’s boarding houses and alleyways, are works of comic skepticism and cosmic messiness.

Gatsby’s fictional legacy is a reflection of America’s all-too-real, relentless ambition, its bottomless hunger for reinvention, and its cruelty toward those who will never reach the upper class.
Margery Latimer’s 20th-century feminist literature is sympathetic and even empathetic toward her women characters–and implicitly judgmental.

Concepts within indigenous futurism such as Native slipstream, First Contact, Indigenous Science, and Native Apocalypse, help shape emerging narratives about Indigenous futures.
Possessed children, freaky dolls, demon lovers, haunted houses, scary cats, dogs, rats, and nymphomaniacs from Hell.