The fact that Exile in Guyville's music and lyrics are timeless – that it could even be made in 2018 and still sound relevant – only further enhances its stature as a bonafide classic.
21 Jun 2018
The second part of our examination of the 100 Greatest Alternative Singles of the '90s includes Pavement, Suzanne Vega, Morrissey, Dinosaur Jr., and more.
14 Jul 2016
By the time the unexpectedly bright “Strange Loop” begins, and our Guyville journey ostensibly comes to its close, we have been so immersed in the quirks, characters, and corners of this fictitious, conceptual land that Phair’s final act is to catch us off guard. If Exile in Guyville was a thriller, “Loop” would be its masterful twist ending.
04 Sep 2013
Guyville’s penultimate track reinforces the acting, knowing contradiction that makes Liz Phair’s vision as a storyteller so unique, its memorable chorus succinctly encapsulating the album’s stresses, disappointments and grit without redundancy.
12 Aug 2013
Exile in Guyville wraps up its "domestic nightmare" trope with “Johnny Sunshine” and “Gunshy”, back-to-back cautionary tales that recall and extend the album’s by now familiar themes of neglect, oppression, and destruction—both physical and emotional—within a coupling
05 Aug 2013
“Flower” is sarcastic, silly, salacious, and solidary -- a fine reminder of what Liz Phair and Exile in Guyville offers its female listeners: the permission, if even for just a hair over two minutes, to tap into and vocalize baser instincts without the threat of stigma and with the security that you’re never doing so alone.
29 Jul 2013
The next entry in the “domestic nightmare” branch of Liz Phair’s catalog, “Divorce Song” is a testament to Phair’s gifts as a storyteller and keen observer of human behaviors, emotions, and the delicate imbalances in male and female perception that can send a once thriving relationship entirely off-course.
15 Jul 2013
Musically, “Girls! Girls! Girls!” is a taut, stretched rubberband of a song that comes so close to snapping but never does -- a kind of sonic blue-balling -- refusing to offer any sense of release as Phair expertly weaponizes her sexuality.
08 Jul 2013
This special edition of Between the Grooves celebrates and examines the classic “Fuck and Run” by inviting a panel of women introduced to the song and its creator during the very period Liz Phair is singing about, navigating the rocky terrain of romantic relationships, self-respect, and everything in between.
01 Jul 2013
In anticipation and celebration of Exile in Guyville’s 20th anniversary, Sound Affects shares its picks for the top five Girly Sound tracks, the record that formed the blueprint for Exile and later portions of Liz Phair's output.
19 Jun 2013
“Canary”, the eighth track on Liz Phair’s Exile in Guyville, and in many ways the album’s most significant thematic and tonal turning point, makes a strong case for why a musician -- especially one with as sharp a gift for word play as Phair -- need always publicly publish her official lyrics.
10 Jun 2013
If we’re to properly consider “Explain It to Me”, one of the most beloved tracks on Liz Phair’s Exile in Guyville, we must put it into relationship with its preceding number, “Soap Star Joe”, an oft-forgotten, discordant ditty that has all the charm and seriousness of a spaghetti western.
03 Jun 2013
It’s only fitting then that “Never Said”, the lead single from Exile in Guyville and the track ostensibly chosen to introduce Liz Phair to the world, would be a song where she repeatedly, defensively, and sometimes unconvincingly swears that she “never said nothing”.
28 May 2013
From knocking indie music scene bad boys, to riffing on the tales of Salome and John the Baptist, to re-appropriating the most taboo of anatomical vulgarities, “Dance of the Seven Veils” is a testament to the cunning complexities of Liz Phair’s composer mind.
20 May 2013
This week's installment of Between the Grooves' journey to Guyville takes a deeper look at the brilliant sequencing of "Help Me Mary" and "Glory", the former's uncommon, spite-work prayer segueing masterfully into the spiritual and sexual awakening of the latter.
13 May 2013
In commemoration of the 20th anniversary of Exile in Guyville, Sound Affects inaugurates a new Between the Grooves series that examines the indie rock landmark musically, as well as its author's own changing relationship with the album over the years.
06 May 2013
With every "Best of the '90s" retrospective comes a predictable list of entries. Here we've compiled a list of 15 albums that are often times overlooked as worthy of placing in these lists, and are too often underrated as some of the best records from the decade.
09 May 2012
Career suicide albums fall into two camps: Those that were released ahead of their time, and those that set new standards in awful. The best thing that could be said about the later category is that these albums are oftentimes just as fascinating as an artist’s best work.
03 May 2012
By exiling themselves to small-town America's "Main Street", the Rolling Stones began serving up a rich, steamy gumbo of sounds they certainly didn't invent, but undeniably put their stamp upon.
10 Aug 2010
For a decade that prided itself for breaking down musical barriers, there is a noticeable lack of female presence on this decade's most highly-regarded albums.
09 Dec 2009
The only way to have approached this show was in the exact manner that Liz Phair delivered it; a detached celebration of an album that leaves its indelible mark on those who listen, regardless of time, or criticism, or who Liz Phair was then, is now, or will be in 15 more years.
06 Jul 2008
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