Black Lips concoct a lustful mix of cocaine country, psych stomp, and honky-tonk fire and brimstone on Sing in a World That's Falling Apart.
Los Angeles pop weirdo Ariel Pink looks back at two early records freshly reissued by Mexican Summer and discusses his new Odditties Sodomies Vol. 2 rarities collection.
Sweating the Plague is Guided by Voices' third album of 2019. It also happens to be their loudest, most conceptually focused, and most enduring record of this year.
Lo-fi, black metal-cum-goth-ish outfit, Timelost share a cover of Marilyn Manson's "Cryptorchid". They talk with us about the importance of making the old new.
Low Hum make dreamy, psychedelic pop magic with their first full-length album, Room to Breathe.
Indie rockers Sebadoh have a new energy and brightness to their challenging vision for their first record in six years, Act Surprised.
Considering it's all the work of one person, Sotto Voce's Safety is surprisingly ambitious, and Ryan Gabos' musical chops seem to fly in the face of what sounds like the lack of a proper recording studio.
Helium, Homeshake's fourth album is a further exploration of Peter Sagar's inner musings, and it may be his most honest record, as it sounds lonelier and smaller than any Homeshake LP to date.
Johnny Goth's "Sleep in the Light" arrives ahead of new split single with Molly Drag. Set the controls for the heart of the slack.
How to go about looking for the lost parts of yourself? Noble Kin provides some suggestions in this off-kilter, art pop single.
One of the most inventive bands to emerge from Australia in the 1990s, the Moles get a new lease on life in 2018 with various lineups, searing new tunes destined for your autumn/winter playlists.
Elizabeth Le Fey (Globelamp) retreated to the wilds of New York in the dead of winter with a batch of songs intended to pick up where her previous set left off. The result is Romantic Cancer releasing on 12 October.
On the lo-fi high jinks of unlikely alt-rock legend, Guided by Voices' Robert Pollard.
Mitski argues on Be the Cowboy that we are meant to be emotional people, and that being strong and independent often leads to loneliness.
Chicago band Sonny Falls tackles issues related to substance abuse and the damage done by it on "Flies".
Synthpop auteur John Maus follows 2017's Screen Memories with a collection of songs that are unique and occasionally maddening in their uncharacteristic silliness.
Canadian lo-fi project Tang takes a stand against the status quo on "It's (Not) All Bad".
Australian singer-songwriter Harry Permezel's wildly imaginative, deeply introspective and, yes, fun second release arrives May 4.
Madrid-based garage rockers Hinds pull away from their lo-fi roots just a little bit to deliver a fun, versatile second album with I Don't Run.
Robert Polland and company don't give us perfection. With Space Gun, they give us a really good album. Again.
After creating a buzz with her bedroom recorded set of songs, Sophie Allison, aka Soccer Mommy proves that she is on the right track.
Brooklyn song-scribe Kolb's debut EP demonstrates this one-off's prowess as he warbles and writes like an American Andy Partridge.
The polar opposite of last year's clear, clean self-titled outing, this double record is the refrigerator sandwich of Ty Segall's career.
Lo-fi guitar pop troubadours Hoops made waves with their exciting debut Routines last year, and follow it with this 18-song collection of their earlier work.
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