Considering it's all the work of one person, Sotto Voce's Safety is surprisingly ambitious, and Ryan Gabos' musical chops seem to fly in the face of what sounds like the lack of a proper recording studio.
Helium, Homeshake's fourth album is a further exploration of Peter Sagar's inner musings, and it may be his most honest record, as it sounds lonelier and smaller than any Homeshake LP to date.
One of the most inventive bands to emerge from Australia in the 1990s, the Moles get a new lease on life in 2018 with various lineups, searing new tunes destined for your autumn/winter playlists.
Elizabeth Le Fey (Globelamp) retreated to the wilds of New York in the dead of winter with a batch of songs intended to pick up where her previous set left off. The result is Romantic Cancer releasing on 12 October.
Synthpop auteur John Maus follows 2017's Screen Memories with a collection of songs that are unique and occasionally maddening in their uncharacteristic silliness.
