Gaadge’s debut LP Yeah? is the sound of a new Pittsburgh. This version of the “Paris of Appalachia” is more cosmopolitan, more contemporary but still reserves a kind of understated magic behind its Fort Pitt-like cement walls
This stroll down memory lane’s shady lane only underscores how a collection of Stephen Malkmus’ sharpest turns-of-phrase comes off like a veritable Bartlett’s Famous Quotations for the Gen X indie set.
Indie folk's Joe Kaplow premieres his new single "February Prorated Rent", a profoundly haunting and affecting song.
"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"
Sneaks' Happy Birthday is a worthwhile release for its insistence upon being categorized as music without a category.
Former Smog songsmith Bill Callahan offers sparse and dry-recorded acoustic portraits on Gold Record.
Los Angeles' SHOCKEY goes in for a bit of glam rock mixed with lo-fi, slacker pop on an ode to the joys of being "high".
The ten songs on Eight Gates from the late Jason Molina are fascinating, despite – or perhaps because of – their raw, unfinished feel.
A new compilation online pulls together a generous helping of B-side action from a band deserving of remembrance, Scotland's Urusei Yatsura.
With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies.
Re-released on vinyl to celebrate its 15th anniversary, Lou Barlow's EMOH offers a wide array of indie rock charms.
