On Sampa the Great’s As Above, So Below, she makes music with incredible clarity of purpose and affirms a sense of interconnected self and heritage.
When aesthetic balances are in place for much of Sometimes, Forever, Soccer Mommy glows like a moon reflecting a dying sun, one of the substantial artists of her generation.
It takes a real human being to be as disgusted with the world as the performance of St Vincent on Daddy’s Home shows. It requires the talents of Annie Clark.
For their latest EP, The Third Gleam, the Avett Brothers leave everything behind but their songs and a couple of acoustic guitars, a bass, and a banjo.
Underneath the catchy melodies and snazzy artwork, Ghost have created one of the cleverest heavy metal records in recent memory.