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Punk Hybrids: Wham! Bam! Glam-Punk!

Glam Punk is "Rock 'n' roll with lipstick on," sneered John Lennon.

                                      
Books
    
        The Curmudgeonly King of Noir Chronicled in 'Notes From the Velvet Underground: The Life of Lou Reed'
    
Ian Rushbury

        11 Dec 2019
    
Music
    
        Nils Lofgren Celebrates Love, Loss, Friendship Via 'Blue With Lou'
    
Jedd Beaudoin

        23 May 2019
    
Books
    
        Meet Ex-rocker Turned Poet, Lou Reed, in 'Do Angels Need Haircuts?'
    
Megan Volpert

        01 May 2018

Recent

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Events

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Reviews

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While this will please fans of the Velvets and the many Hudson River-adjacent bands who carry on their legacy, if Psychic Ills revved up the speed and kicked out more jams, it would liven the impact of One Track Mind, which too often lives up to its title.

Events

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Film

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Glam Punk is "Rock 'n' roll with lipstick on," sneered John Lennon.

Following the world premiere of SHOT! The Psycho-Spiritual Mantra of Rock, attendees were invited to an after party which featured the Yeah Yeah Yeahs and some special guests.

Lou Reed and friends were miles away from New York City but that didn't matter a bit. These are fine hours of VU at their best.

The companion to the film of the same name, Heart of a Dog is a welcome and beautiful story from an American great.

Even as the Velvet Underground has graduated from cult favorite to part of the '60s canon, guitarist Sterling Morrison has largely faded from public view.

As Elliot Murphy tells PopMatters, the new reimagining of his 1973 debut Aquashow may be the most profound musical adventure of his 40-plus year career yet.

Waiting for the Man is a beautiful read, fluid like a long conversation with a friend in your favourite coffee shop.

Few bands ever had a year like the Velvet Underground did in 1969. Even fewer have a set that documents a year like that as beautifully as this one.

Tits of Clay and Hedwig co-creator Stephen Trask paid tribute to the passing of Lou Reed with a performance of Transformer.

The just-unveiled ballot for next year's Rock and Roll Hall of Fame induction class attempts to honor Generation X as well as continue to rectify past oversights.

Possibly the mother of all box sets, Nils Lofgren’s Face the Music contains 169 tracks, 20 video clips, and a 136-page book, covering a big talent’s long career.

Two critical catfights are claiming to have buried art-forms which have shaped our civilisation for decades and centuries apiece. Are they entitled to do that?

Put jelly on your shoulder, lie down upon the carpet and dig into the Velvet Underground’s eponymous third album. A 1969 classic is this week’s Counterbalance.

An invaluable look into the lives of our most adored musicians, written with wit, humility, and vibrancy by one of our most revered music journalists.

Perhaps because it represented his formation as a solo artist, his manifestation of “Lou Reed”, as opposed to “Lou Reed and the Velvet Underground”, Reed owned the '70s more than any other decade.

Some argue that Lou Reed, the man who never ran out of ways to say "fuck you", might not be the best influence for a child. I say he was the best role model a ten-year-old could have.

The Ghost of Lester Bangs and Charles Pitter listen to Albert Hammond Jr.’s EP AHJ.

Lou Reed lived an extraordinary life, but that's mainly because he never followed any existing archetype. He was Lou Reed, and there was never anyone like him before, and there will never be anyone like him after.

Peter Gabriel waits three years for his back to be scratched, and the wait wasn't necessarily worth it.

While this will please fans of the Velvets and the many Hudson River-adjacent bands who carry on their legacy, if Psychic Ills revved up the speed and kicked out more jams, it would liven the impact of One Track Mind, which too often lives up to its title.

From graphic depictions of violence and death to ominous and grating musical atmospheres, Reed has numerous frightening tunes that can comprise an alternative Halloween soundtrack for those seeking something different from the traditional holiday horror themes.

The Stone only accommodates an audience of about 60. But when Laurie Anderson performed with pianist Geri Allen, each would have rather been nowhere else.

Dear Tom Cruise: We know you are hurting from the failure of Rock of Ages. However, if you learn the lessons from the best rock-themed movies, you can still make a rock film for the ages.

And the award for "Self-Explanatory Album Title of the Year" goes to... Amanda Palmer, for Several Attempts to Cover Songs by The Velvet Underground & Lou Reed for Neil Gaiman as His Birthday Approaches.

Metric consolidates its wares for what is potentially its big commercial breakthrough. And while the presentation is nice and tidy, the band ends up repeating itself in too machinelike of a manner.

Career suicide albums fall into two camps: Those that were released ahead of their time, and those that set new standards in awful. The best thing that could be said about the later category is that these albums are oftentimes just as fascinating as an artist’s best work.

Lou Reed once said, "No one does Lou Reed like Lou Reed." Big Bus Dream should have paid attention.

With exclusive new interviews from Velvet Underground, this is a captivating account of one of the most influential groups in rock history.

The 78th most acclaimed album of all time came and hit the streets, looking for soul food and a place to eat. It’s such a perfect day to discuss this 1972 glam rock spectacular.

"Meet Glen Campbell" showcases the singularity of Campbell's interpretive talents as a singer spectacularly. But there is hardly any reason to buy this skimpy "expanded edition" unless you don't already own the record in some other form.

Philip Glass invites an interesting and engaging selection of artists to perform at the 22nd Annual Tibet House Benefit.

Have you ever been to a concert where the main act brings out a special guest for a song or two, and the connection is so pure that there is a palpable feeling of excitement in the room? Except in brief, fleeting moments, that doesn’t happen on this album.

This tribute collection of 19 covers of one of early rock's most influential pioneers features legends (Paul McCartney, Lou Reed), indie A-listers (Modest Mouse, My Morning Jacket, She & Him), and -- would you believe? -- Kid Rock.

Emily Haines' journey with her band Metric has taken her everywhere from on stage with Lou Reed in Sydney, Australia to writing songs for teenage vampires in Hollywood. But all roads continue to lead back to her Toronto home.

Noted pop music critic Jim DeRogatis discusses much with PopMatters, including getting into fights with Wayne Coyne, why Lou Reed is frustrating to talk to, and why Lollapalooza is Wal-Mart ...