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Sxip Shirey found recent success with "Woman of Constant Sorrow", and now discusses robotic bells, the pleasure of composing for circuses, and his new album A Bottle of Whiskey and a Handful of Bees.

This highly stylized interpretation of Madonna’s hand-to-mouth existence possesses the sort of terribleness you would expect of a TV movie -- but it’s the kind of trash diet that leaves you feeling fulfilled, somehow.

On these reissues of Kylie Minogue's first four records, the singer starts to figure out who she is, no matter how little her producers/hit-making assembly lines seemed to care.

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If you missed “music's biggest night”, or just want to relive it, here are all of the performances.

AC/DC opened the telecast with a song called "Rock or Bust", a prophetic ultimatum that was answered all too quickly by a cavalcade of performers who seemed to be tripping over themselves to see who could be the most uninspiring of them all.

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Lolawolf are burnin' up for your love.

Was music’s biggest night worth staying up all night for? Read on to find out.

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Gen X’ers may still want their MTV, but the version they loved is as distant a memory as Valley Girl speak, parachute pants, and leg warmers. Wake up and smell the VEVO.

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Sinéad's never going to play the game or be someone who has finally "learned her lesson", so forget it. Here’s someone whose career was derailed for being blasphemous. Well, as it turns out, she was right. It’s time to offer our apologies.

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Not since the Beatles broke up has there been such a communal feeling of abandonment as there is with Oprah's final airing of The Oprah Winfrey Show.

To pair Jamie XX’s interest in this territory with a musical figure like Gil Scott-Heron makes even more sense than perhaps the original conceit of I’m New Here.

Let’s single out the biggest events that happened in the world of music one month at a time, starting with January 2010.

The show’s writers just cannot seem to push their themes far enough to meld Glee’s cultural touchstones into something that doesn’t simply reproduce the social order that it's attempting to reorganize.

If you love these songs and want to hear them sound different and not as good as the versions you cherish, this record is for you.

When NBC moved Jay Leno to ten, the network thought it was going to change the very face of TV. The goals in developing Jerry Seinfeld's The Marriage Ref were undoubtedly more modest. But Jerry may yet succeed where Jay failed.