Madonna’s True Blue is a concerted effort to prove her mettle as an accomplished singer-songwriter. For the first time in her career, she co-wrote and co-produced all nine tracks.
With every "Best of the '90s" retrospective comes a predictable list of entries. Here are 15 albums that are often overlooked as worthy of placing in these lists, and are too often underrated as some of the best records from the decade.
Even as it irritates me, Kevin Mattson's We're Not Here to Entertain is worth reading because it has so much direct relevance to American punks operating today.
This highly stylized interpretation of Madonna’s hand-to-mouth existence is terrible and tawdry, but fun.
