Madonna’s MDNA is an embrace of her club roots and the high-octane EDM popular in the 2010s with the novel concept of the DJ as a celebrity. For Madonna, music and dance mean salvation and freedom.
In a career defined by musical makeovers, Evita represented Madonna’s most extreme and conservative musical guise in the Andrew Lloyd Webber kitschfest.
Madonna’s True Blue is a concerted effort to prove her mettle as an accomplished singer-songwriter. For the first time in her career, she co-wrote and co-produced all nine tracks.
Even as it irritates me, Kevin Mattson's We're Not Here to Entertain is worth reading because it has so much direct relevance to American punks operating today.
This highly stylized interpretation of Madonna’s hand-to-mouth existence is terrible and tawdry, but fun.
