Tags

                                      
Events
    
        Manu Chao: 5 September 2011 - New York
    
Thomas Hauner

        19 Sep 2011
    
Music
    
        SMOD: SMOD
    
David Maine

        24 Oct 2010
    
Music
    
        Live from Abbey Road - Episode 6
    
Christel Loar

        23 Jul 2008

Recent

Reviews

Ottawa Bluesfest Days 3-5 feat. Femi Kuti, Michael Franti, Manu Chao, Leo Kottke, and White Stripes

By day three, the Ottawa Bluesfest had taken off: the beer tents and concession stands did brisk business, as a barrage of bands got down to business with politics, finger-picking, and a whole lot of blues.

Christopher Cwynar

Reviews

Manu Chao

When I heard that Manu Chao would be performing in Detroit, I didn’t believe it. After all, we don’t get a lot of Paris-born Zapatista supporters around these parts.

Diane Hightower

Reviews

Manu Chao

For a man who has performed in the US only twice in two decades, it's remarkable to see a Brooklyn audience so eager to embrace him.

Ryan S. Henriquez

Reviews

Collapse Expand Reviews

BROWSE ALL ALBUM REVIEWS

Features

Collapse Expand Features

PM Picks

Collapse Expand Pm Picks

Manu Chao: 5 September 2011 - New York

SMOD: SMOD

Live from Abbey Road - Episode 6

Les Savy Fav, Manu Chao, Constantines...

Ottawa Bluesfest Days 3-5 feat. Femi Kuti, Michael Franti, Manu Chao, Leo Kottke, and White Stripes

By day three, the Ottawa Bluesfest had taken off: the beer tents and concession stands did brisk business, as a barrage of bands got down to business with politics, finger-picking, and a whole lot of blues.

Manu Chao

When I heard that Manu Chao would be performing in Detroit, I didn’t believe it. After all, we don’t get a lot of Paris-born Zapatista supporters around these parts.

Manu Chao

For a man who has performed in the US only twice in two decades, it's remarkable to see a Brooklyn audience so eager to embrace him.

Kathleen Edwards Finds 'Total Freedom'

Jaye Jayle's 'Prisyn' Is a Dark Ride Into Electric Night

Jaga Jazzist's 'Pyramid' Is an Earthy, Complex, Jazz-Fusion Throwback

A Fresh Look at Free Will and Determinism in Terry Gilliam's '12 Monkeys'

The Devonns' Debut Is a Love Letter to Chicago Soul

JOBS Make Bizarre and Exhilarating Noise with 'endless birthdays'

Max Richter's 'VOICES' Is an Awe-Inspiring and Heartfelt Soundscape

Nnamdï' Creates a Lively Home for Himself in His Mind on 'BRAT'

Finding the Light: An Interview with Kathy Sledge

HBO's 'Lovecraft Country' Is Heady, Poetic, and Mangled

'Avengers: Endgame' Culminates 2010's Pop Culture Phenomenon

DYLYN Dares to "Find Myself" by Facing Fears and Life's Dark Forces (premiere + interview)

'Bigger Than History: Why Archaeology Matters'

How Hawkwind's First Voyage Helped Spearhead Space Rock 50 Years Ago

Hip-Hop's Raashan Ahmad Talks About His Place in 'The Sun'

In Amy Seimetz's 'She Dies Tomorrow', Death Is Neither Delusion Nor Denial

The Arcade Fire reminds us all that nothing is too serious if nothing lasts forever.

By day three, the Ottawa Bluesfest had taken off: the beer tents and concession stands did brisk business, as a barrage of bands got down to business with politics, finger-picking, and a whole lot of blues.

When I heard that Manu Chao would be performing in Detroit, I didn’t believe it. After all, we don’t get a lot of Paris-born Zapatista supporters around these parts.

For a man who has performed in the US only twice in two decades, it's remarkable to see a Brooklyn audience so eager to embrace him.