Martin Scorsese’s ‘The Irishman’ and the Gangster’s Reimagined Soul
Scorsese's The Irishman is not a masculine power fantasy, nor could its heavy underlying sadness ever be mistaken for delight in violence or criminality.
martin scorsese
Pretend It’s a City Proves Once Again, You Can’t Argue with Fran Lebowitz
Fran Lebowitz's ubiquitous little smirk is still going as strong as it ever did because—and this is why she is sexier now than she was 50 years ago—there is really just no way whatsoever to make her feel bad about herself.
Scorsese’s ‘World Cinema Project No. 3’ Has a Filtered Gaze
Scorsese's selections for World Cinema Project No. 3 recall an attitude typical of a bygone age of film studies when professors would rationalize overlooking the reactionary politics of a film because aspects of the filmmaking itself trumped such "trivial" concerns.
The Films in ‘Scorsese Shorts’ Play with the Narrative Voice
In Scorsese's hands, the voice-over is less a substitute for what we are not shown but instead becomes a vital thread woven into the fabric of the film's meaning.
The 35 Best Films of 2010
The best films of 2010 include a fake documentary, a comedy about Jihad, a vampire story NOT dealing with tacky tween romance, a haunting hillbilly noir, and an elegant tale about clones. Not necessarily the usual cinematic suspects.
Old Kings Yelling at Clouds: Art vs. Commerce in the Battle for Box-Office Relevance
Martin Scorsese, Francis Ford Coppola, and other members of the old guard might be battling with the MCU about the quality of superhero movies, but the business of how we consume film is changing, like it or not.
Ludicrous Irony in Scorsese’s ‘The Irishman’
With its big performances and stellar script, The Irishman is the glorious culmination of Scorsese's lifelong fascination with mobsters and their built-in self-destruction.
‘Art Rebels’ Squeezes Miles Davis and Martin Scorsese into the Same Box
Paul Lopes's Art Rebels is a study that tries (and only partly succeeds) to fit two great artists -- Miles Davis and Martin Scorsese -- into clearly defined categories.
Scorsese and Dylan: A Match Made in Fantasy
In Rolling Thunder Revue: A Bob Dylan Story, a cinematic genius and a Nobel Prize-winning musical icon pair for a magical and purposefully deceptive look at rock 'n' roll life in the mid-'70s.
The Darkness Within: 13 Films That Burrow into Our Psyches
These 13 films help us understand horror as an important mode of cultural expression, as a means to explore the dark inner recesses of ourselves and our society.
All Things Seen and Unsaid in Scorsese’s ‘The Age of Innocence’
Scorsese's outlier drama of manners has aged well... mostly.