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Film

The Highs Are Higher, the Lows Lower in 'Deadpool 2'

The first half of Deadpool 2, in which Vanessa is murdered and Wade becomes purposeless and suicidal, is a slog. The second half, where Wade commits to defending an angry teenage mutant, positively soars with fantastic action and some of the funniest superhero film moments in years.

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Film

What 'Half Nelson' Teaches About 'Captain Marvel' Directors Anna Boden and Ryan Fleck

They've gone on to write and direct Captain Marvel, but there was a time when Anna Boden and Ryan Fleck made small films like Half Nelson and seemed poised to create a distinct, unpredictable body of work.

Film

'Thor: The Dark World' Comes Close to Being a Viable Story

In Thor: The Dark World there's a dangerous villain, a universe-ending threat, and a star-crossed romance -- but none of it makes sense.

Film

'Iron Man 3' Finds Its Hero in Crisis

Marvel Studios launched its second phase of films with Iron Man 3, a film filled with bold storytelling choices and irreverent humour that would become hallmarks of the MCU.

Film

Joss Whedon's 'The Avengers' Blasts Away All Other Comic Book Films

By perfecting the comic book superhero formula and creating the first big-budget shared universe with The Avengers in 2012, Joss Whedon and Marvel Studios came to define this decade of blockbuster filmmaking.

Film

'Captain America: The First Avenger' Stands Out in a Glut of Comic Book Films

Marvel Studios recognized that by mining other genres through the superhero lens, it could continue to keep comic book films fresh and entertaining to audiences and sidestep the constant predictions of imminent superhero fatigue.

Film

'The Incredible Hulk' Is the Black Sheep of the Marvel Cinematic Universe

Marvel Studios' goal with The Incredible Hulk was to rehabilitate the Hulk in the minds of moviegoers after a disappointing 2003 film, and also reimagine him as a more heroic character that would fit within the larger universe it was crafting.

Film

Comics Film 'Iron Man' Was a Risky and Bold Adventure for Marvel

Iron Man is a colorful, light, comedic film, and as the first film in the MCU it was responsible for establishing the tone and approach of the series moving forward.

Film

Trapped in the Negative Zone: The Fantastic Four on Film

The dust has cleared on the fourth attempt to bring The Fantastic Four to the big screen. Why is this team of comic characters so important? What keeps going so horribly wrong?

Television

Marvel Studios' Major TV Launch Will Benefit from Staying Close to Its Comics Roots

While Marvel's Agents of S.H.I.E.L.D. may stem directly from The Avengers film franchise, like those movies, the show also has comics in its DNA.

Film

How Does It End? Narrative Closure in the Marvel Universes

In Marvel's comics, narrative closure is always deferred, every ending a new beginning. Iron Man 3, with its now world weary characters and aging actors, draws attention to how live action is different from comics.

Film

How Intricate Can Marvel's Storyworld Become on Film?

Marvel producers are attempting to create a film analog to the Marvel Universe that knits together the publisher's mainline titles. Will moviegoing audiences keep coming back for the next story, and the next?

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