Burt Reynolds' Sonny Hooper is a carefree and lovable guy whose reckless stunt pro lifestyle symbolizes the self-troubles and limitations toxic masculinity creates.
Randy Newman's satirical narrators lack self-reflection. This makes Newman the ideal songwriter to dismantle what would come to be called toxic masculinity.
Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.
Matthew Gutmann's Are Men Animals is and interesting but flawed, rushed look at masculinity that suffers from digressions and an unwillingness to be as political as it could have been.
If director Riley Stearns sometimes loses his thematic bearings, he never forgets to deliver large, violent doses of comedy in the instant cult classic, The Art of Self-Defense.
I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
Adjustment Day may not be peak Palahniuk, but it is nonetheless entertaining and twistedly educational, providing abundantly peculiar and original paths within one of his most astute and necessary social commentaries to date.
There's a ghostly suggestion of Philip Roth's writing voice in Portnoy's Complaint in this novel; a relatively calm voice, this time in the third person, documenting the madness.
The girls in the movie theaters of 1977—who saw Princess Leia as a role model from the first moment she appeared on screen in Star Wars —grew up. So too did Princess Leia.