Circuit des Yeux’s Glorious New LP Is Modern-Day Alchemy
Circuit des Yeux’s work, including her singular voice, conjures the grand epics, the metamorphoses that the ancients whispered and sang about.
Circuit des Yeux’s work, including her singular voice, conjures the grand epics, the metamorphoses that the ancients whispered and sang about.
With Phonetics On and On, Horsegirl move beyond their influences, carving out a distinct identity shaped through time and life experience.
Even by Mdou Moctar’s high standards, Funeral for Justice is extraordinary. Its music and lyrics are searing, and the messages are essential in 2024.
King Krule’s Space Heavy is a wild listening experience, more muted and introspective than past outings and seemingly reflecting our pandemic moment.
Water From Your Eyes traffic between experimental music of the krautrock period of the late 1960s and early 1970s and today’s feminine pop sensibility.
Interpol’s The Other Side of Make-Believe has its share of moments that sound good while they’re playing but just can’t make a lasting impression after they stop.
Michael Hadreas of Perfume Genius delivers his most experimental, wandering, and gorgeously unkempt album to date with Ugly Season.
Horsegirl’s guitar tones are alternately cool and abrasive, and that sound sets the template for the band’s mixture of indie, punk, and art-rock.
On Belle and Sebastian’s first album in seven years, A Bit of Previous, the cozy Glaswegians prioritize candor and retain a bit of their previous magic.
Fucked Up commemorate their 2011 landmark David Comes to Life with Do All Words Can Do, a B-sides compilation capturing the spirit of the original, even at a fraction of the length.
Ahead of their summer reunion shows, Pavement belatedly reissue their crepuscular goodbye, Terror Twilight, with a trove of additional context and offcuts.
Perfume Genius’ 2012 album Put Your Back N 2 It offers a bleak yet comforting unpacking of sexual identity, addiction, physical abuse, and family trauma.