Asian American Pop Culture Stands on the Shoulders of a Giant Robot
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
Did gaming the O.J. Simpson murder trial allow for deeper conversations about our most hidden emotions, ugliest prejudices, and disturbing desires?
When Hollywood franchises need East Asian male characters for diversity purposes, their roles are limited to sidekicks or unlikeable men.
Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
The entertainment industry had to change when COVID-19 closed almost all its operations. Media scholar Kate Fortmueller considers the lasting effect.
Scepanski’s Tragedy Plus Time takes a serious look at how comedy and satire in American media make light of dark matters.
Visual culture is not just ubiquitous, it's also a potent force.
In turning the camera on himself, even in his most vulnerable moments as a sick and dying man, filmmaker and activist Marlon Riggs demonstrated the futility of divorcing the personal from the political. These films are available now on OVID TV.
K-pop boy band BTS are masterful at creating a separation between their public personas and their private lives. This mythology leaves a void that fans willingly fill.
Anika Gupta's How to Handle a Crowd casts a long-overdue spotlight on the work that goes into making online communities enjoyable and rewarding.
E. James West's new book explores Lerone Bennett, Jr.'s impact as a popular Black historian. It's a gateway to a body of work that still speaks to Black rage, struggle and hope, yesterday and today.