Punk Wouldn’t Have Spread So Far Without the Sh*t Media
Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
The entertainment industry had to change when COVID-19 closed almost all its operations. Media scholar Kate Fortmueller considers the lasting effect.
Scepanski’s Tragedy Plus Time takes a serious look at how comedy and satire in American media make light of dark matters.
Visual culture is not just ubiquitous, it's also a potent force.
In turning the camera on himself, even in his most vulnerable moments as a sick and dying man, filmmaker and activist Marlon Riggs demonstrated the futility of divorcing the personal from the political. These films are available now on OVID TV.
K-pop boy band BTS are masterful at creating a separation between their public personas and their private lives. This mythology leaves a void that fans willingly fill.
Anika Gupta's How to Handle a Crowd casts a long-overdue spotlight on the work that goes into making online communities enjoyable and rewarding.
E. James West's new book explores Lerone Bennett, Jr.'s impact as a popular Black historian. It's a gateway to a body of work that still speaks to Black rage, struggle and hope, yesterday and today.
The superbly researched Journalism and the Russo-Japanese War tells readers how Japan pioneered modern techniques of propaganda and censorship in the Russo-Japanese War.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
In Chinese Movie Magazines, Paul Fonoroff highlights the capacity for humans to embed their desires and history in the most innocuous-seeming of creative efforts.