Torres’ ‘What an Enormous Room’ Shows 12 Years Is Enough
Torres’ new LP cements her position as an iconic musician and signifies a final breakthrough into the stratosphere of musical history.
Torres’ new LP cements her position as an iconic musician and signifies a final breakthrough into the stratosphere of musical history.
Superchunk’s Misfits & Mistakes is a fascinating glimpse of them trying new things while reaffirming their signature contributions to the indie rock canon.
Hiss Golden Messenger’s Jump for Joy switches up the mood considerably, offering a bouncy set of tracks of youthful enthusiasm and maturing gratitude.
In this extensive interview, The Clientele’s Alasdair MacLean discusses the indie band’s new masterpiece, I Am Not There Anymore, and their lengthy career.
Wye Oak speak to PopMatters about their experiment-or-die perspective and what it means to make music at their stage of career and life more generally.
After delaying comeback tours and moving labels, power pop icons the New Pornographers could’ve gone anywhere. Instead, A. C. Newman found a new sense of peace.
At their best, Fruit Bats tap into the SoCal world and song tradition of Joni Mitchell, Aimee Mann, and Warren Zevon. This LP has a few of these moments.
Continue As a Guest is a more delicate and less hooky version of the New Pornographers, the most reflective they’ve been since 2007’s underrated Challengers.
Essentially a re-issue of a 2011 box set with Neutral Milk Hotel’s recorded work, their legacy remains unparalleled even if there’s not much new to exhume.
Fucked Up’s One Day possesses a brightness and sense of happiness that’s addictive and optimistic, even if the lyrics at times insinuate the opposite.
H.C. McEntire seeks salvation on Every Acre, but these songs suggest it can be found in how one approaches the world rather than in some supernatural entity.
Archers of Loaf’s Reason in Decline is an excellent record from a great band that has been on a recording hiatus for the better part of two and a half decades.