
Emma Ruth Rundle Releases a Brilliant Career-Defining Set
This is the album Emma Ruth Rundle has long wanted and been destined to make. These Killing Times marks the actualization of a signature artist.

This is the album Emma Ruth Rundle has long wanted and been destined to make. These Killing Times marks the actualization of a signature artist.

The familiar Mastodon is still roaring on Marrow Deep, though there are some new gears slipped into the engine, discovering how strange the band can become.

In best metal, Vengeance Arsenal rely on tradition for extreme metal, Static Abyss produce hallucinogenic death/doom, and Hanternoz strip away folk for melody.

Pure Ecstasy‘s highlight is Shomo’s undeniable talent for pop songwriting; however, it also pushes Beartooth’s heaviness into new directions.

Inferno’s The Anthropic Sophisms further tips the scales toward the psychedelic and atmospheric. Everything is subordinated to the ritual.

Emptiness’ Nowhere Speaks carries the same bleakness, a dread that the ominous, towering vocal delivery interprets fantastically.

Final Storm‘s cleaner production casts Witches Hammer’s songwriting in a different light, bringing melodic and traditional heavy metal strains into focus.

Mortem’s intricate songwriting and their balanced approach to traditional and majestic black metal have a clear goal.

Quicksand are still standing where peers have fallen off. Their patented sound is evergreen. Smart, upbeat lyrics and chugging riffs will always find an audience.

In July’s best metal, Witches Hammer deliver their final chapter, Emptiness return to their dark ways, and Sex Prisoner unleash powerviolence with heavy groove.

Brånd’s Tåg & Nåcht offers boundless exploration, touching on everything from post-punk and neofolk to electronica and krautrock with a black metal underpinning.

Rising Canadian noise rock band Truck Violence’s sound coheres on their sophomore release, The weathervane is my body.