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Featured: Top of Home Page/Film/Reviews/Television

A Prime-Time Tragedy in Two Acts: ‘Crime Story: The Complete Series’

By PopMatters Staff / 20 January 2012
Featured: Top of Home Page/Film/Short Ends and Leader

House (2007)

By Bill Gibron / 4 April 2009
Featured: Top of Home Page/Film/Short Ends and Leader

House

By Bill Gibron / 20 November 2008
Featured: Top of Home Page/Film/Short Ends and Leader

Hell Ride (2008)

By Bill Gibron / 25 October 2008
Featured: Top of Home Page/Film/Short Ends and Leader

Grindhouse Wannabe More ‘Hell’ than ‘Ride’

By Bill Gibron / 7 August 2008
Featured: Top of Home Page/Features

The Return of the Popcorn Circus: August 2008

By Bill Gibron / 30 April 2008
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Croc / Lake Placid 2

By PopMatters Staff / 14 February 2008
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Tooth and Nail

By Daynah Burnett / 14 November 2007
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BloodRayne (2006)

By Bill Gibron / 13 January 2006
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Sin City (2005)

By Cynthia Fuchs / 16 August 2005
Featured: Top of Home Page/Film/PopMatters Picks/Reviews/Television

Tilt: The Complete First Season

By Nikki Tranter / 29 July 2005

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The 50 Best Albums of 2022 So Far
Featured: Top of Home Page/Features/Lists/Music/Music Features/Music Reviews/PopMatters Picks

The 50 Best Albums of 2022 So Far

By PopMatters Staff / 30 June 2022
At Gorillaz Live 2022 (Berlin) We Dance at the End of the World Party
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At Gorillaz Live 2022 (Berlin) We Dance at the End of the World Party

By Ana Yorke / 30 June 2022
The Fight for Reproductive Rights in Road Narratives and Comedies
Books/Featured: Top of Home Page/Features/Film/Film Feature

The Fight for Reproductive Rights in Road Narratives and Comedies

By Kristina Deffenbacher / 29 June 2022
JazzMatters: The Best New Jazz of June 2022
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JazzMatters: The Best New Jazz of June 2022

By Will Layman / 28 June 2022

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  • The 50 Best Albums of 2022 So Far
  • At Gorillaz Live 2022 (Berlin) We Dance at the End of the World Party
  • ‘The Forgiven’ Looks Starkly at Cynicism and World-Weary Outrage
  • Andrew Bird’s ‘Inside Problems’ Burrows into Pop History
  • The Fight for Reproductive Rights in Road Narratives and Comedies

 
 
 
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