What Makes Michel Piccoli's Characters So Timelessly Compelling?

In Piccoli's characters there are always at least two selves—an outer self that strikes out at the world with aplomb and confidence and an inner self that crouches diffidently behind the façade, hoping not to be found out, hoping to get away with the deception.

                                      
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What Makes Michel Piccoli's Characters So Timelessly Compelling?

In Piccoli's characters there are always at least two selves—an outer self that strikes out at the world with aplomb and confidence and an inner self that crouches diffidently behind the façade, hoping not to be found out, hoping to get away with the deception.

Do they Know We're in Darkness?: 'We Have a Pope'

'Belle de Jour': A Modern, 'Lady Chatterley's Lover'-Like Take on Gender Politics

La Grande Bouffe & Tales of Ordinary Madness

Belle Toujours

Pointless and puerile, malicious and misogynistic, Belle Toujours is the opposite of an homage.

All Around the World: The Best International/Indie Films of 2007

Beginning and ending with the superlative filmmaking of Jia Zhang-ke, traversing the nooks and crannies of the globe, PopMatters presents the 20 best international and indie films of 2007.

I'm Going Home (2001)

Explores the ageless, ceaseless, and fruitless desire to find a place of peace.

I'm Going Home (2001)

I'm Going Home not only retains its heart, but expands it until the film's emotional power is almost too much to handle.

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