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Synecdoche New York

Consumed with existential dread, this film captures the feeling of near-death angst remarkably well, enough to the point where it's not Caden that's feeling it -- it's the audience.

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Best Complexities in 2008

The most remarkable films of 2008 were small, smart, and complicated. While they're surely worth seeking out for their own pleasures, they also represent the sort of movies that will find theatrical releases even harder to manage in the shrinking economy.

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The New Classics - The 30 Best Films of 2008

Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.

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Wendy and Lucy

Surviving traumas, Wendy (Michelle Williams) serves as both detailed portrait and metaphorical expanse. Her pain is specific but also vague, her loss exact and all-encompassing.

Film

Identities in Flux

Kaufman’s Synecdoche, New York is performance art as civilization-annihilating Godzilla, whereas Eastwood's Changeling is a film that wins the stranger than fiction category, hands-down.

Film

Deception

Like the sex scenes, the film itself is cold and remote, and as viewers, we merely go through the motions, watching it.

Barbara Herman
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