Slumgod Millionaire: On ‘Nayakan’, the Godfather of Indian Gangster Films
In revisiting Nayakan we are reminded that men become gods not as a sign of presumed cultural backwardness but because the modern nation-state has failed.
muktha srinivasan
In revisiting Nayakan we are reminded that men become gods not as a sign of presumed cultural backwardness but because the modern nation-state has failed.
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