I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Jean-Luc Godard's cinematic oddities First Name: Carmen, Détective, and Hélas pour moi, newly released on Blu-ray from Kino Lorber, embody the vast landscape of possibilities open to the director during the '80s and '90s.
Director Gurinder Chadha and author/journalist Sarfraz Manzoor discuss the culture clash that inspired their film, Blinded by the Light, based on Manzoor's cross-cultural memoir, Greetings from Bury Park.
Chris Schwartz's memoir on founding Ruffhouse Records attempts to be many things but doesn't fully deliver on any of them, making for a conventionally-structured memoir that often reads as slapdash and dry.
Focusing on vinyl records and the labels that released them, An Encyclopedia of Political Record Labels traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution.
John Corbett's writing is often poetic in Pick Up the Pieces: Excursions in Seventies Music, with each essay being a resonant reflection on the music, artists, scenes, and memories seemingly etched deeply in his being.
"Platinum's" crisp, punchy guitars and soaring, wide-ranging vocals bring to mind familiar Wanderwild touchstone bands like Interpol and the Strokes and act as an insistent and catchy calling card for their upcoming release.