Louder, faster, angrier, and harder than punk ever sounded, second-wave punk in 1979 Britain kept the core instrumental ingredients but used and produced them in ways that boiled off any subtleties or sophistication.
For an artist whose discography spans continents both literally and stylistically, there was one reliable thing: Ginger Baker knew what was needed, and if he had to invent new ways of forcing rhythm to the forefront, that was his job. It will remain his legacy.
Breakup albums have a rare power; they mark the moment when an image-conscious artist is suddenly compelled to let his guard down. Bob Dylan's Blood on the Tracks and Tyler the Creator's IGOR are similar in their vulnerability.
Slough Feg carry on their heavy metal journey while Darkthrone keep digging towards their proto-punk/heavy metal core. Baroness return with their most ambitious work to date, while Pinkish Black continue to explore the endless possibilities of synth driven extreme music.
Deerhunter's Why Hasn't Everything Already Disappeared? and Cryptograms are antithetical twins -- shattered mirror images, whose fragments echo each other and reflect Deerhunter's beginnings of and return to inspired experimentation.