Powell & Pressburger’s Radical and Ravishing ‘The Red Shoes’ Performs the Dark Side of Devotion
Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?
Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?
In a brave and subversive move that appealed to mainstream audiences yet was undeniably queer, “AIDS film” Parting Glances used barbed comedy to convey tragedy.
Director Adam Rehmeier talks with PopMatters about the making of his subversive punk comedy, Dinner in America, produced by Ben Stiller.
Filmmaker Boaz Yakin talks with PopMatters about the liberating experience of forsaking tone and not caring if he makes a cent on his gender-swapping, story-told-through-dance, not-from-Hollywood film, Aviva.
Nöthin’ But a Good Time takes readers on a loud tour of the monster decade of the ’80s, but not for the reasons you’d think.
A veritable rainstorm of temporal noise pours down between sounds of early 20th century Japan and the audience on Sublime Frequencies’ Sound Storing Machine.
Dublin's the Murder Capital and Detroit's Protomartyr both delve into murky existential lyrical terrain as riotous riffs reverberate and drums pound militantly, infusing the atmosphere with ominous sonic shadows.
The nostalgic, feel-good documentary, ‘Jimmy Carter: Rock & Roll President’, explores Carter’s connections to the music world but misses a lot about this not-so-simple man.
The characters in Ma Rainey's Black Bottom, distinct as they are, besiege the viewer's mind as metaphors, mythic exemplars of a disturbing legacy America seems unable or unwilling to address.
Spike Lee's crisp concert film of David Byrne's Broadway show, American Utopia, embraces the hopes and anxieties of the present moment.
Bruce Springsteen's music in film and television captured author Caroline Madden's imagination. She discuses her book, Springsteen as Soundtrack, and other things Springsteen in this interview.
Amanda Sewell's vastly informative new biography on musical trailblazer Wendy Carlos is both reverent and honest.