music

Powell & Pressburger’s Radical and Ravishing ‘The Red Shoes’ Performs the Dark Side of Devotion

Powell & Pressburger’s Radical and Ravishing ‘The Red Shoes’ Performs the Dark Side of Devotion

Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?

Subversive AIDS Film ‘Parting Glances’ Was Quite Unlike Its Contemporaries

Subversive AIDS Film ‘Parting Glances’ Was Quite Unlike Its Contemporaries

In a brave and subversive move that appealed to mainstream audiences yet was undeniably queer, “AIDS film” Parting Glances used barbed comedy to convey tragedy.

Director Adam Rehmeier on His Abrasive Punk Comedy with a Sweet Heart, ‘Dinner in America’

Director Adam Rehmeier on His Abrasive Punk Comedy with a Sweet Heart, ‘Dinner in America’

Director Adam Rehmeier talks with PopMatters about the making of his subversive punk comedy, Dinner in America, produced by Ben Stiller.

That Rare Occasion of Freedom: Filmmaker Boaz Yakin on Making ‘Aviva’

That Rare Occasion of Freedom: Filmmaker Boaz Yakin on Making ‘Aviva’

Filmmaker Boaz Yakin talks with PopMatters about the liberating experience of forsaking tone and not caring if he makes a cent on his gender-swapping, story-told-through-dance, not-from-Hollywood film, Aviva.

Nöthin’ But a Good Time Parties Like It’s 1989

Nöthin’ But a Good Time Parties Like It’s 1989

Nöthin’ But a Good Time takes readers on a loud tour of the monster decade of the ’80s, but not for the reasons you’d think.

‘Sound Storing Machines’ Boldly Assembles Some of the Earliest Japanese Recordings

‘Sound Storing Machines’ Boldly Assembles Some of the Earliest Japanese Recordings

A veritable rainstorm of temporal noise pours down between sounds of early 20th century Japan and the audience on Sublime Frequencies’ Sound Storing Machine.

Martyrs and Murderers and Post-Punk Dialogues Between Dublin and Detroit

Martyrs and Murderers and Post-Punk Dialogues Between Dublin and Detroit

Dublin's the Murder Capital and Detroit's Protomartyr both delve into murky existential lyrical terrain as riotous riffs reverberate and drums pound militantly, infusing the atmosphere with ominous sonic shadows.

‘Jimmy Carter: Rock & Roll President’ Portrays an Over-Simplified Man

‘Jimmy Carter: Rock & Roll President’ Portrays an Over-Simplified Man

The nostalgic, feel-good documentary, ‘Jimmy Carter: Rock & Roll President’, explores Carter’s connections to the music world but misses a lot about this not-so-simple man.

Beauty and Horror in George C. Wolfe’s Ma Rainey’s Black Bottom

Beauty and Horror in George C. Wolfe’s Ma Rainey’s Black Bottom

The characters in Ma Rainey's Black Bottom, distinct as they are, besiege the viewer's mind as metaphors, mythic exemplars of a disturbing legacy America seems unable or unwilling to address.

NYFF: ‘American Utopia’ Sets a Glorious Tone for Our Difficult Times

NYFF: ‘American Utopia’ Sets a Glorious Tone for Our Difficult Times

Spike Lee's crisp concert film of David Byrne's Broadway show, American Utopia, embraces the hopes and anxieties of the present moment.

On Bruce Springsteen’s Music in Film and TV

On Bruce Springsteen’s Music in Film and TV

Bruce Springsteen's music in film and television captured author Caroline Madden's imagination. She discuses her book, Springsteen as Soundtrack, and other things Springsteen in this interview.

Wendy Carlos: Musical Pioneer, Reluctant Icon

Wendy Carlos: Musical Pioneer, Reluctant Icon

Amanda Sewell's vastly informative new biography on musical trailblazer Wendy Carlos is both reverent and honest.

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