TIFF 2018: ‘Vox Lux’
Brady Corbet's Vox Lux is a horror movie about the link between hedonism and explosive violence in the 21st century. Don't let anyone tell you differently.
Brady Corbet's Vox Lux is a horror movie about the link between hedonism and explosive violence in the 21st century. Don't let anyone tell you differently.
Mamma Mia! Here We Go Again offers a silly, sad, apolitical and ultimately joyful look at love, loss, and embracing the future.
Directors P. David Ebersole and Todd Hughes delight in the slippery nature of truth in their documentary filmmaking. Like Jayne Mansfield herself, the moment you think you can pin them down, they’ve already danced away to another possibility.
The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.
Gene Wilder’s Willy Wonka embodies all the qualities America seeks in a leader these days.
Chi-Raq draws from current headlines, hip-hop lyrics, Aristophanes, and Spike Lee’s prior films to forge a vibrant, propulsive saga of fury and hope.
Warner Archive offers Vincent Minelli’s 1955 version of Kismet, which contrasts nicely with William Dieterle’s 1944 counterpart.
Hao Wu’s The Road to Fame reveals the connections between the two generations shaped by China’s one-child policy.